Saturday, 21 April 2018

Catching Up With Sean McCann (April 2018)...And music will triumph hate.

As Sean McCann is set to play another concert somewhere in North America he has done another interview. While many of his recent interviews that were shared on social media fan sites go unnoticed, this latest one has managed to upset many fans of Great Big Sea.

It has been well over four years since Sean decided to go his own way and leave the successful band Great Big Sea. He moved with his family from Newfoundland to the Canadian mainland in Ontario. The reasons for Sean leaving are well documented in interviews. So is his wish as a founding member (and through legal action) that Great Big Sea not continue on without him.

Over the years Sean has continue to write new music and albums, be involved in charity events for a range of causes and perform concerts in a variety of venues with the support of Great Big Sea fans and new fans made along the way. Sean has expressed on numerous occasions that he is happy with current career arrangements even though he misses the money Great Big Sea made.

Sean has shared his personal story to anyone who will listen including the fee paying public at concerts, members of the public attending charity events, social media followers and the traditional media. To be honest his message was becoming all too familiar about how he over came his demons by focusing on his music and how anyone with mental health and addiction issues are not alone.

I must admit I haven't heard much of Sean McCann's new solo music or read many interviews recently. Initially I respected and supported his choice to go his own way after being in a successful band for over 20 years, but that support has long gone after reading some of the negative comments made in some interviews.

Sean made negative comments about his former lifestyle, the music produced, his fellow band members and the fans. The negative comments aimed at the concert and music paying fans that supported him during his time as a member of a successful and much loved music group included criticism about how they listened to music, their short attention spans (which justified the release of one of his albums) and how they interacted with the music at concerts using their phones. Most recently he made comments about fan's superficial connection to their music.

In the interview 'Singer has Great Big message Music: Séan McCann taking to Okotoks stage April 26' by Tammy Rollie on the 18 April, 2018 published in the westernwheel.com the interview states '.... According to McCann, the music produced by Great Big Sea was superficial. “We didn't really impact people's lives in a meaningful way other than to say forget your troubles and have a drink instead,” he said. “That's not what I'm about anymore. I want to be a brighter flame.”

As a fan and person who has followed this fandom closely I can understand how these comments have upset a lot of fans who love their music. These comments make me wonder how many fans Sean actually met and how much attention he gave them when they spoke to him in person, through their contact writing letters or more recently via social media.

While Sean is entitled to his opinion on the music they produced, it would be insensitive and derogatory to say that their music has not impacted on the fans in a meaningful way. The fact that fans of Great Big Sea are still turning up to his concerts and the songs he sings are still requested are proof their music is meaningful.

How a fan engages with any music by any artist or group is an extremely personal thing with different songs having different meanings to different people at different times in their lives. For many fans the music of Great Big Sea have brought them together and they have connected and become friends. For other fans the music may have no other meaning other than having a good time, forgetting their troubles and having a drink. But there is nothing wrong with that after working hard as long as it doesn't infringement on the enjoyment of others.

Another cause Sean has adopted is the increasing social isolation due to social media. And a worthy cause it is to. It is well documented the use of social media can impact negatively on a person's health and wellbeing by developing psychological disorders including narcissism, aggression, anxiety and depression and physical health issues such as stomach & head aches, sleep problems, obesity and safety issues.

Nowhere is social isolation on social media more evident than in the online world of Great Big Sea fan pages and those of pages of the individual members. Great Big Sea and friends online fan pages contain lots of stories of individuals who have been bullied and isolated by over bearing administrators and other fans over discussions raised on topics such as excessive bootlegging and piracy, photographing at concerts and taking photographs of celebrity's children or just by talking about a celebrity considered off topic by an administrator. Social media sites have also been used to talk about fans behind their backs without giving the person an opportunity to respond.

While there are negative impacts there are many positive ones too. These fan pages are also places where Great Big Sea fans and fans of the individual members of this group who share a similar love of music have met and become real life friends travelling to concerts in different parts of the world. They have met like minded empathetic people who share encouraging comments and resources that have impacted positively on someone else's mood and well being. Social media should be used in moderation with real life interactions and is certainly a worthy cause for raising awareness of.

I continue to wish Sean all the best with his music career, his recovery and his charity work. I have included links to two recent videos I really love and make all the negativity seam trivial. Music will triumph hate and negativity always !








I have copied the article below for those fans interested. No copyright infringement intended. 


'Singer has Great Big message Music: Séan McCann taking to Okotoks stage April 26' by Tammy Rollie 18 April, 2018 published in the westernwheel.com.

After decades of performing before screaming fans, an acclaimed singer/songwriter now has more to offer than just great music.

Séan McCann, founding member of the internationally-renowned, multiple-platinum selling folk group Great Big Sea, is all about truth whether it's his own battles with alcoholism and sexual abuse or concerns about anti-social behavior that he says is resulting from social media.

McCann has gone public about his alcoholism that covered up the pain from sexual abuse he experienced as a teenager.

Now as a solo artist and mental health advocate, he has plenty to say.

Foothills residents can hear his message, through song and conversations, April 26 at 7:30 p.m. at the Rotary Performing Arts Centre in Okotoks as part of a three-month North American tour to promote his fifth solo album There's a Place.

“Everything I've written for the last five years has been my message – it's where I really am in my life,” he said. “I've come to peace with my past and I've learned where the future lives. For me it's in small theatres like Okotoks singing together with people because that's what gives my life purpose. I'm compelled to do this kind of work.”

McCann's songs reflect his ongoing journey towards peace, love and contentment while opening up about his past struggles while returning to his traditional roots music.

According to McCann, the music produced by Great Big Sea was superficial.

“We didn't really impact people's lives in a meaningful way other than to say forget your troubles and have a drink instead,” he said. “That's not what I'm about anymore. I want to be a brighter flame.”

McCann said he's also hoping to spread the message that those who are suffering are not alone.

“We've all experienced hardships, we all suffer in our hearts,” he said. “The real test is how we deal with our problems. You have to face them even if it's hard. Alcohol and drugs is just a Band-Aid.”

McCann said truth is important. It has to be faced and everyone deserves a more sincere world.

“When I'm on stage I'm the best version of myself,” he said. “When I'm writing songs you're getting the best of Séan McCann because I'm trying to be real and say what matters. I'm trying to lift people's hurts and stay positive.”

To the 50-year-old, music is his saviour.

“I've dealt with my recovery in a way that keeps me sober,” he said.

McCann said he hopes to see other people follow suit, especially those who are dealing with issues like sexual abuse.

“The fact that sexual abuse still happens and that there's trauma from it and people get away with it and people suffer from it, I don't think we've done enough,” he said. “Sheldon Kennedy, who has done more for that cause, not just talking about it but by building a hospital for children in Calgary for victims of sexual abuse and he's treated over 8,000 in three years. Those are staggering numbers.”

Through his own research, McCann has learned 90 per cent of sexual abuse cases are perpetrated by people who are close to the victims.

“Statistics prove stranger danger is a myth,” he said. “These are things we have to talk about it.”

Another issue close to McCann's heart is one he said many people aren't aware of – isolation caused by social media.

“A typical Friday night now is for someone to come home, pour a glass of wine and go on Facebook,” he said. “That's not a healthy society. Social media has led to social isolation. It's been my mission to fight against that darkness.”

McCann said he'll keep going on stage with his guitar “Old Brown” and sharing his messages.

“I love singing, I love interacting, love being in front of an audience and getting them to sing,” he said. “They are very singable songs littered with messages that are positive.”

Heading to places like Okotoks is just the way to do that, he said.

“I'm finding myself in smaller theaters where I have an honest interaction with people,” he said. “I don't care if I'm ever in a hockey rink again. I want to catch them before they all slip away into the irresistible gaze of Facebook.”



Friday, 13 April 2018

Russell Crowe And An Auction Of His Stuff... A fan response.

"Here is my stuff...Stuff I have worn, stuff I have bought, stuff I have admired, stuff I have loved, stuff that made me laugh, stuff that I have sweated through..." (O'Mailey, 2018).

The Russell Crowe 'Art of Divorce Auction' hosted by Sotherby's at the Carriage Works in Sydney, Australia on the 7 April, 2018 was on Russell's birthday and his wedding anniversary.

During the auction, the crowd sang 'Happy Birthday' to Russell, who then appeared from the behind a curtain to introduce the violin his character Captain Jack Aubrey played in the movie Master and Commander. There is a great short video of his appearance and talk at the auction on the News Corp Australia article referenced below (News Corp Australia, 2018).

After the auction and the results of sales were calculated Russell tweeted on this official Twitter account that his collection had fetched $3.7 million with some of the items still being negotiated and some being returned unsold. Russell had made considerably more than the target of $2.4 million.

The auction was streamed live on Facebook for interested buyers, collectors, journalists and fans wanting to have glance where ever they were in the world and had received over 124 000 views.

The traditional media in Australia and around the world reported on the auction, highlighting popular items and in particular movie props and how much they went for, the crowd who attended and Russell's guest appearance.

The Australian Financial Review focused on Russell's massive and unique Australian art collection that brought in the most money. The article states 'Yet in monetary terms paintings stood out - fetching 6 of the top 10 prices.' My favourite piece in the auction Brett Whiteley's 'Moreton Bay Fig and Palms' scored $231, 800 well above the estimate. I hope the painting found a good home as it is truly beautiful.

The Guardian journalist Bridget Delaney's story 'The night I had to choose between Russell Crowe and Jimmy Barnes' did not go unnoticed by Russell Crowe and was shared on his official Twitter account. He had seen her tweet 'Life or journalist circa 2018 - giving up your jimmy Barnes concert ticket because you've go to rewrite your story about @russellcrowe divorce auction'.

Russell saw the tweet in his time line and responded. 'Interesting, we haven't talked, and it hasn't taken place yet...so ...just making stuff up are we? Haha. Go to the gig. I can't deal with being responsible for you missing the legend that is Jimmy Barnes' and circulated the tweet to which the fans responded.

I will let you read the story to find out what happened. I thought this particular story was brilliant. After the story was published Russell Crowe shared it on his official Twitter account and responded. 'How can you not like this writer? I'm so sorry for ruining your Jimmy Barnes experience. Next time I'm having a divorce auction, I'm going to run my dates past you first. I hope you get to see the Jimmy Barnes show.'

When I read something like this journalist's (and the fan's) experience with Russell Crowe who may think that he isn't looking and reading his official Twitter account I feel mighty grateful at just being blocked when I spoke my mind.

It is really easy to misunderstand someone on Twitter as the journalist explained and respond without thinking what one is tweeting. Many fans defend Russell without really understanding what he tweeted and it can be difficult for those on the receiving end of fan's misunderstandings.

I certainly wish I had lived in such close proximity to be able to attend a showing of the items and the auction itself even though it was shown on Facebook.

I have included a copy of Russell Crowe's tweets from his official Twitter account, a photograph taken at the auction and an edited copy of Bridget Delaney's story below. The full reference of the article is below. No copyright infringement intended.

References

Australian Financial Review, (2018). 'Forget the jockstrap, art was the star in Russell Crowe's gala sale.' published at afr.com on 11 April, 2018.

Associated Press, (2018). 'Russell Crowe cashed in at Art of Divorce auction.' published at theguardian.com on 7 April, 2018.

Delaney, B. (2018), 'The night I had to choose between Russell Crowe and Jimmy Barnes.' published at theguardian.com on 11 April, 2018.

O'Mailey, N. (2018). 'Russell Crowe bids farewell to his old life.' published at smh.com.au on 7 April, 2018.

News Corp Australia (2018), 'Russell Crowe holds extraodinary divorce auction where items go for massive amounts.' published at news.com.au on 11 April, 2018.

Tobin, M. (2018). 'Russell Crowe holds 'Art of Divorce' auction in Sydney, selling Gladiator armour and more.' published at abc.net.au. on 8 April, 2018.











'The night I had to choose between Russell Crowe and Jimmy Barnes' by Brigid Delaney published in theguardian.com on 11 April, 2018.

It was a warm night in Newcastle and the theatre was filling up with excited Jimmy Barnes fans who had tickets to see his new show – a spoken-word performance combined with song that was opening the Newcastle writers festival.

I had just relinquished my Barnesy ticket to a festival volunteer – I had to go back to my hotel and rewrite my story about Russell Crowe’s divorce auction.

I’d studied the catalogue that week and written about some of my favourite items of movie memorabilia, with my recollections of Rusty in those roles. They were the early parts: Proof, The Sum of Us, Romper Stomper.

But where was the Gladiator reference, asked my editor? In Guardian parlance, this was a “global story”. And did we really need to know so much about the Balmain workers’ cottage where The Sum of Us was set? It needed to be rewritten straight away.

So I said goodbye to my friends going to see Barnesy. I was in a bad mood and tweeted: “Life of a journalist circa 2018 : giving up your jimmy Barnes concert ticket because you’ve got to rewrite your story about @russellcrowe divorce auction.”

Fellow journalists responded – their news desks had sent them to cover the Crowe auction, which was being held in Sydney on Saturday night....

....Back in the hotel I browsed the catalogue again: that flimsy codpiece from Cinderella Man, that yellow shirt from Proof, the endless lots of guitars, the fake swords, the cricket bats and jerseys pinned behind glass, the envy-inducing art collection, the diamond rings.

Then, just as I settled in to rewrite the piece, came another tweet – from @russellcrowe himself:

“Interesting . We haven’t talked , and it hasn’t taken place yet ... so...just making stuff up are we ? Haha


Go to the gig . I can’t deal with being responsible for you missing the legend that is @JimmyBarnes .”




Russell Crowe was ordering me to get the Jimmy Barnes concert!

Did his directive override that of my editor? I could hear Crowe’s beautiful, mellow but commanding baritone (his Master and Commander voice – “Men must be governed!”) urging me back to Hunter Street to see Barnes, to lose myself in those anthemic, jangling, evocative first chords of Working Class Man (“Wor-kiiiing hard to make livin’/ seeking shelter from the rain/ father’s son meant to caaaarry on/ Blue denim in his veins/ wwwwooooh o o o he’s a working class man!!”).

But then there was the first part of his tweet with its odd punctuation: “ Interesting . We haven’t talked , and it hasn’t taken place yet ... so...just making stuff up are we ? Haha ”

It seemed a little menacing in an LA Confidential kind of way, as opposed to a Romper Stomper-level, boot-on-neck menace.

Crowe was accusing me of “making stuff up” – then he added a “Haha” to the end. Was it a funny haha (as in “just joking”??) or an evil haha? It’s so hard to tell on Twitter.

Nick O’Malley told me he also received twitter response from Crowe: “At first he ordered me not to attend as I was obviously ‘not the right man for the job’ then relented, apologised for stuffing up my weekend and told me to bring a hip flask.”

After reading Crowe’s tweet to me, another journalist, Shannon Molloy, challenged Crowe: “This seems unnecessarily bitchy, Rusty.”

My breath quickened as I read the exchanges. Would it possible that this would end up with me fighting Russell Crowe, JUST LIKE GLADIATOR???!!

It would be a fight I was sure to lose. Rusty’s fans (he has 2.76 million followers) had already started trolling me, along with O’Malley, who had complained about having to cover the auction on a Saturday night.

My Twitter defence sounded pathetic. I assured Crowe that I loved his art collection! He has great taste (he does have very good taste, that much is true)! And it was true I hadn’t spoken to him – but I was writing about his auction catalogue, not him! I didn’t need to speak to him! And my piece was a preview – that is why it was written before the auction took place.

(Subtext: Please like me, Russell! I am not like journalists who make shit up about you!!)

Meanwhile my deadline approached. Barnes was already an hour into what would be a three-hour performance and I still hadn’t rewritten the piece I was missing the concert for.

It was now hard to focus on my auction catalogue story with Crowe and his followers in my ear. Twitter – for me just a place for mindless banter, random thoughts and sharing story links – was now living up to its meta potential. As I wrote a story about Crowe in a hotel room in Newcastle, he was speaking directly to me, while his trolling fans provided a shrieking background chorus and my friends offered murmured, unhelpful asides such as: “If there’s a more Australian tweet out there I’ll eat my hat,” and “Why does he put spaces before punctuation. It’s weird and unsettling.”

The auction went ahead. It was a roaring success, smashing expectations and bringing in what Crowe described as “$3.7m at the coal face”.

At the writers festival I kept checking my phone, half fearful, half hoping Crowe had tweeted me again.

He didn’t. He had moved on to challenging New Idea magazine for writing what looked to be a fairly far-fetched story that he was in love with the radio personality Fifi Box (“something so wrong with the leadership of this magazine”).

And he tweeted a mega closeup of his beard.

But this is an unchallengeable truth: one weekend in Newcastle I had to choose between spending a night with Jimmy Barnes or Russell Crowe – and I chose you, Rusty, you.


Wednesday, 11 April 2018

Russell Crowe And The Indoor Garden Party 2018...A fan proposal.

Russell Crowe on his official Twitter account asked the question... 

'The next IGP should be...where? Give an opinion. Sell your idea. Practical information like local promoters welcome. Just gathering your thoughts. SYD? MEL? LAX? ITA? @IGPmusic @alanthomasdoyle @ScottGrimes @SamanthaBarks @carlfalkmusic 9 April, 2018.

Last year Russell Crowe and the Indoor Garden Party of Alan Doyle, Scott Grimes, Carl Falk, Kevin Durand, Lorraine O'Reilly and a range of friends performed a number of concerts in the United Kingdom in London, Leeds and Dublin, Ireland. In previous years, the Indoor Garden Party with Samatha Barks performed at Coffs Harbour, and New York City. In 2011 the group performed in St. John's, Newfoundland with Danielle Spencer. Most concerts sold out very quickly. New and old fans travelled far and wide from America, Europe and Australia to meet each other and share their love of the music of Russell Crowe and the Indoor Garden Party.

Excited fans responded to Russell's requests promoting their favourite cities, countries and venues in the hope that he would perform there. After reading the fan's tweets I decided to respond here purely hypothetically of course as I am blocked from Russell Crowe's official Twitter account. Perth would be the perfect venue because it wouldn't show favourites to certain groups of fans whether they be Australian, North American or European in giving those that live and want to travel easy access.

Russell Crowe has a long association with Perth and Western Australia. He came to Perth in 2003 with the 30 Foot Odd Grunts and performed at the Lookout Hotel in Scarborough near the beach. Russell's rugby league club, the South Sydney Rabbitohs have been playing regular rugby league games in Perth for many years to help promote rugby league in this state. The South Sydney Rabbitohs have a history of positive interaction and support with the local community and would know the resources for the promotion of events locally. 

Perth has the perfect venue with His Majesty's Theatre. The theatre was built in 1904 and is fully restored with a seating capacity around 1260 people. The theatre is centrally located in the business district and regularly hosts productions of musicals, ballet, opera, Shakespearean plays and many other events. It is believed to be the only working remaining Edwardian theatre in Australia. Famous performers who have visited and performed there include Dame Margot Fonteyn, Judy Garland, Sir John Gielgud, Percy Granger, Sir Rex Harrison, Katherine Hepburn, Barry Humpheries, Vivien Leigh, Dame Nellie Melba, Dudley Moore, Anna Pavlova, Sir Ian McKellen and Angela Lansbury (Wikipedia, 2018). Russell Crowe would be in good company.

Perth, the capital of Western Australia has a population of around 1.8 million people. Although the city may seem far away there are now inexpensive direct flights from London, America and from eastern Australia. In 2014, The New York Times published a story on the 52 Places to Go in 2014 and Perth was mentioned in the top 10. Major cities also mentioned that year were Cape Town, South Africa, Christchurch, New Zealand, Downtown, Los Angeles and Rotterdam, the Netherlands. Other places to go in 2014 were wild and exotic like the coast of Albania, Namibia, Ecuador and Vietnam. No other Australian cities were mentioned in the top 52.

There is also a lot of other things for visitors to do including shopping, eating and drinking in the numerous restaurants and bars, visiting local parks, waterfronts and the cultural centre in the city centre. There are AFL games on the weekends from March to September, the spectacular Cottesloe Beach on the Indian Ocean for fish and chips, King’s Park and Botanical Garden which contains thousands of acres of native species of flora for a walk, a picnic lunch, bike ride or to take in an Indigenous tour to learn about their history and connection to the land. Just a short ferry ride across the Swan River is the zoo in South Perth where a visitor can meet the local wildlife.

A visitor can catch a train down to the historical port city of Fremantle, full of historic buildings, restaurants and pubs and a former prison that has been turned into a museum where they can learn about the convict past and maritime history of the state. From there it is just a short ferry ride to Rottnest Island and the tiny marsupials that have become so popular with celebrity selfies, quokkas. Depending on what time of the year a visitor is here they may wish to try their luck watching whales or swimming with dolphins. Not too far from Perth is the New Norcia Benedict Monastery famous for its bread, nut cake and olive oil and the Swan Valley full of historic buildings, wineries, micro breweries and chocolate factories. What ever time of the year a visitor comes there is a range of activities to suit all interests.

I am sure what ever venues Russell Crowe chooses the fans will come from far and wide to see him and the Indoor Garden Party perform and love every minute of it. I have included some photographs of His Majesty's Theatre in Perth from Wikipedia. No copyright infringement intended.








References

Dreisinger, B. (2014) 'Catching Perth's Wave in Western Australia' published in The New York Times at mobile.nytimes on 27 February, 2014.

New York Times, (2014). '52 Places to Go in 2014' published in The New York times at mobile.nytimes.

Peterson, L. (2017), 'In and Around Perth, Natural Wonders Abound' published in the mobile.nytimes on 26 January, 2017.

Wikipedia (2018). 'His Majesty's Perth ' published at https://en.wikipedia.org/wiki/His_Majesty%27s_Theatre,_Perth on 11 April, 2018.





Saturday, 7 April 2018

Allan Hawco And 'Caught'... Some fan information.

Allan Hawco's new television series 'Caught' adapted from Lisa Moore's book has finished on CBC Canada to great reviews. Recently it was announced the series has been renewed for a second season.

While I was unable to watch the television series as the content was not available outside of Canada, I was able to read the award winning book from which the story was successfully adapted by Allan Hawco. And what a fabulous book it was too. I was also able to follow the making of the series from it's original conception, to the completion and screening on social media and through the traditional media.

I have always admired Allan Hawco for his role in creating the television series 'Republic of Doyle', about a private detective and his family and friends in St. John's, Newfoundland and the series 'Frontier' about the early fur trade in eastern Canada. I also admire Allan for his love and loyalty to Newfoundland, and his efforts to create a thriving and profitable arts scene and in particular television industry in Newfoundland.

Another reason I really admire Allan is that he is always willing to engage in respectful discussion about things in his productions that may offend some fans such as the swearing on 'Frontier' without getting offended and blocking people. I was lucky enough to meet Allan when I went to St. John's, Newfoundland and he was generous and kind.

So it is with great interest I have written this post about what information is about on this new production for fans. I found some great websites, beautifully filmed episode trailers, and some great interviews and reviews.

In the past I have been able to find pirated episodes of Allan Hawco's new series such as 'Frontier' on YouTube but CBC Canada seems to have step up it's monitoring and pirates have moved to streaming services which I am not willing to access. Hopefully this series will be available for purchase digitally soon where all good television content is sold.




(metronews.ca no copyright infringement intended)


The official imbd.com site..
.

Contains a full list of the cast and crew.

http://www.imdb.com/title/tt5596468/


The Official Webpages...

The official 'Caught' webpage contains a list of episodes, cast, characters, videos and retro posters.
 
http://www.cbc.ca/caught/


The Trailers...

All of the official trailers for the series and individual episodes are available on YouTube. I have shared to the official trailer on my Google + page. 

Official Trailer
https://www.youtube.com/watch?v=l3XJayjTtYY

Episode One 'The Break'
https://www.youtube.com/watch?v=rmDAurGhgpY

Episode Two 'Old Wounds'
https://www.youtube.com/watch?v=mzxjbHJB_yQ

Episode Three 'Just Trust Me'
https://www.youtube.com/watch?v=VFhz2UGMyig

Episode Four 'Like Old Times'
https://www.youtube.com/watch?v=PCFSXCEM19k

Episode Five 'Bone Dog'
https://www.youtube.com/watch?v=EITqpm0V9wA


Some Reviews...

The are lots of reviews in the traditional media and online television sites. The official Caught imdb.com site contains some great fan reviews.  

'Republic of Doyle’s Hawco crosses the line into outlaw territory with Caught.' by Stephen Cooke published in thechronicalherald.ca on 23 February, 2018.

http://thechronicleherald.ca/artslife/1548134-republic-of-doyle%E2%80%99s-hawco-crosses-the-line-into-outlaw-territory-with-caught

'CBC's new drama 'Caught' like 'a grown-up 'Doyle'' by Bill Brioux, published in the nationalpost.com, on 22 February, 2018.  

http://nationalpost.com/pmn/entertainment-pmn/cbcs-new-drama-caught-like-a-grown-up-doyle

'REVIEW: Allan Hawco and Paul Gross get Caught.' by Bill Brioux published in brioux.tv on 23 February, 2018.

https://brioux.tv/2018/02/review-allan-hawco-and-paul-gross-get-caught/


Some Interesting Articles...

Allan Hawco did a lot of interviews and publicity with the traditional media throughout the making and screening of series. These were shared in newspapers, online magazines and radio and television shows throughout Canada. Many of the interviews on radio and television shows are available online and on YouTube. They were also shared through Allan's official social media sites. 

I have included a few articles and links here.

'Going to be a really fun ride': Allan Hawco ready to start shooting new series.' by Marilyn Boone published on cbc.ca on 27 May, 2017.

http://www.cbc.ca/news/canada/newfoundland-labrador/allan-hawco-caught-cbc-1.4132889

'See Allan Hawco get Caught in a '70s wardrobe groove." by Zach Goudie published at cbc.ca on 26 February, 2018.

http://www.cbc.ca/news/canada/newfoundland-labrador/allan-hawco-caught-costumes-1.4548431

'Dark drama Caught 'inspired' Allan Hawco after Republic of Doyle.' by cbc.ca on 26 February, 2018.

http://www.cbc.ca/news/entertainment/caught-allan-hawco-1.4551206

'It was hard for Allan Hawco to shake TV alter-ego Jake Doyle. But along came David Slaney and Caught.' by Tony Wong published in thestar.com on 21 February,2018.

https://www.thestar.com/entertainment/television/2018/02/21/it-was-hard-for-allan-hawco-to-shake-tv-alter-ego-jake-doyle-but-along-came-david-slaney-and-caught.html

'Allan Hawco on Caught and Life on the Other Side of the Law.' by Pam Pardy-Ghent published at nfldherald.com on 12 March, 2018.

https://nfldherald.com/allan-hawco-on-caught-and-life-on-the-other-side-of-the-law/

'Allan Hawco gets Caught up in adaptation of Giller Prize finalist.' by Richard Crouse published in metronews.ca on 22 February, 2018.

http://www.metronews.ca/entertainment/2018/02/21/allan-hawco-gets-caught-up-in-adaptation-of-giller-prize-finalist.html

Social Media...

Allan Hawco did extensive publicity on his official social media sites from the initial concept of the idea, through the casting and production and final screening of the series. Those posts are available from his official social media accounts.

My favourite two posts are from Allan Hawco's official Instagram account. No copyright infringement intended.







I also love this post from Allan's Hawco's official Twitter account. No copyright infringement intended.



Posters

I absolutely love posters advertising events whether it be music festivals or television series. The official Caught site has some awesome retro posters from the 1970's for those interested.

I have included two screen shots of my favourite posters advertising the series. They are from Allan Hawco's offficial Twitter account. No copyright infringement intended.







Friday, 6 April 2018

Great Big Sea And The Basement, Sydney, Australia...Throwback Thursday.

Last week Twitter trending informed me that one of the oldest music venues in Sydney, The Basement was closing. The Basement holds special memories for me as a fan.

In April 2012, I was lucky enough to see Great Big Sea perform at The Basement in Sydney. On this night the venue was packed with ex-pat Canadians and Australians ready for a traditional Newfoundland kitchen party. And Great Big Sea did not disappoint. 


Not a lot was shared on social media by the fans who went. There were a couple of fan reviews posted to webpages. Timinator (2012) who wrote "The boys oozed enthusiasm and Newfie charm as they went. This was the first time for some of them in Australia, and there oft-repeated jibes at Sean McCann falling for warnings about drop-bears. Sean also found it bewildering that this use to be a penal colony: if people were sent here for punishment, he wondered aloud, how bad must his ancestors - banished to Newfoundland have been." (Please excuse the term Newfie as I do know it is derogatory and GBS have never like it).

I was able to about to find a couple of some very shakey fan videos with an Australian theme. In the first one Alan Doyle talks about Sean McCann falling for stories about 'drop bears' and then they go on to sing 'Nothing in a Song'. The second video was one of the highlights of this show for me and that was when Sean McCann sang the Men At Work song 'Down Under'. I have shared these videos on my Google + page.

I have also included a couple of my own shaky photographs of Great Big Sea on stage at The Basement, a photograph shared by Danielle Spencer at the venue with Alan Doyle (Russell Crowe was overseas making a movie at the time and Danielle came with friends) and a poster of the Great Big Sea events in Australia. As always no copyright infringement intended.

During this trip I was lucky enough to meet Murray Foster and Sean McCann at the airport on the way to Byron Bay. I saw Alan Doyle sitting on a seat but was too nervous to go up and talk to him. I was lucky enough to meet him in the Toronto airport on the way to St. John's, Newfoundland in 2015. Dreams do come true for fans no matter where they live.

References

Cockburn, P., Gerathey, S. Reddie, M. (2018). 'Sydney live music venue The Basement closing in a week, but offices won't replace it' published in abc.net.au on 27 March, 2018.

Convery, S (2018), 'The Basement 'set to close' within a week in blow to Sydney's live music scene' published in The Guardian on 26 March, 2018.

Schaumann, D. (2013). 'Great Big Sea' published in schaumann.com.au on 2 December, 2013.

Timinator (2012), 'Great Big Sea at The Basement' published at plummetonions.com on 6 April, 2012.


















Facebook And Data Collection...A reflection.

Facebook like any social media is essential to engaging with fandoms. I use Facebook to research information about the television shows and musicians and artists I like and how fans share their stories about engaging with fandoms.

I have never liked Facebook. I have been concerned about Facebook and privacy for a long time even though I have never posted anything on my account. I have never provided any social media accounts with personal information. I don't like the way Facebook can be used to access a range of other accounts, that if hacked could create personal disaster for the account holder.

Recently my fears about Facebook came true. Facebook users in recent months were abondoning the social media platform because of pyschological manipulation, privacy, concerns about digital footprints, time wasting, being a constant distraction, hinders downtime and reduces actual social interactions (Rolfe, 2018).

More users are continuing to abandon Facebook following the Cambridge Analytica scandal. The scandal describes how approximately 50 million Facebook users allegedly had their personal information shared without their permission.

Facebook users who had downladed a personality quiz app and shared information about themselves and their friends with a researcher who then passed the information to Cambridge Analytica which was against the privacy rules of Facebook. The final number of people's whose information was shared was calculated (Clun, 2018, Rolfe, 2018).

After the Cambridge Analytica story came to light, Silcion billionaire Elon Musk deleted some of his companies webpages. I followed his example and joined the delete Facebook movement but soon found it harder than I first thought.

Facebook have made it difficult to get information from their own site without an account, but also to get access to a range of other social media accounts including Instagram and other accounts with businesses (such as catch up tv in Australia) it has done deals with.

Like others trying to quit social media I too have tried to quit Twitter, and like others, I have found it difficult. So why do people find it difficult to quit social media whether it be Facebook, Twitter or Instagram ?

I found a great article about why we have become so dependent on social media whether it be Facebook or Twitter called 'Delete Facebook? That’s as hard as giving up sugar' by Dean Burnett published 23 March 2018 in The Guardian online newspaper.

The article provides some great advice in understanding how social media has become an important part of our lives and does make a really good comparison when people try to give up sugar and that is it is all about self-discipline and control to avoid it (although I suspect giving up sugar is harder than social media).

The author writes "It better resembles the way our brains have evolved to respond positively to things that taste sweet, like fruits, because these provide valuable sugars and energy. But then we figured out how to refine sugar, and now need self-discipline and control to avoid it.

Facebook is like refined sugar for the brain’s social reward systems. And if eating bag after bag of sugar didn’t make you noticeably sick and had no detectable health consequences, it would probably be hard to stop."


I have copied the article below as I think it is a really valuable piece of analysis about why we as humans have become so dependent on social media and why they are so difficult to give up. No copyright infringement intended. The article was edited for copyright reasons. 



'Delete Facebook? That’s as hard as giving up sugar' Dean Burnett published 23 March 2018 in The Guardian.

The recently exposed Cambridge Analytica scandal, where intrepid Observer journalists revealed that more than 50 million Facebook profiles were harvested without consent for political ends, has shaken the worlds of media, politics, even international relations. Facebook itself has also taken quite a hit, with its share value dropping considerably, and many people, even the co-founder of WhatsApp, joining the #DeleteFacebook movement.

But, then, we all know at least one person who publicly vows to quit Facebook/Twitter/another social network, only to never actually do so, or if they do, quietly return a short time later. Why are social networks so hard to part with? There are many factors at work, but one is that, whether by design or happy accident, they tend to stimulate our brains in fundamental ways.

Social interactions played a key role in the evolution of our unreasonably large and powerful brains, according to many. The ecological dominance, social competition model, for instance, argues that when you’re part of a human group, your group protects you, feeds you, cares for you, helps you, even provides you with mating opportunities. Over time, this meant humans didn’t evolve traits for survival as individuals in the wild, but success in a group. The ability to empathise, to communicate and coordinate, to anticipate and calculate the reactions and intentions of others, and, yes, to deceive and manipulate them, all requires serious neurological processing power. Ergo, bigger, more capable brains. It would explain why ours nearly tripled in size in only 2 million years. But if surviving in a social environment drove the evolution of the human brain, then you’d expect to see this reflected in its workings and structure. And you do. Repeatedly.

Evidence points towards a neural network that governs social interactions, and it’s heavily linked to the mesolimbic reward pathway, that part of the brain that causes us to experience pleasure. It’s far more complex and nuanced than this, but a reasonable conclusion would be that we’ve evolved to really like social interactions. This is supported by studies that show if you interfere with the action of endorphins (natural opiates) in social animals, it affects their socialising behaviour. Social interactions and pleasure are linked at the most basic levels.

So, what if you could experience multiple social interactions, 24/7, at the touch of a button? It would be reasonable to assume our brains would gain a lot of enjoyment from such a thing.

The inverse is also true; a negative social interaction, a rejection, seems to cause a lot of activity in the pain-processing areas, which suggests that names do hurt you, despite the cliche that argues otherwise. It makes evolutionary sense; if your survival depends on being accepted by the group, being rejected by others is literally a matter of life or death, so social interactions always come with an element of risk.

Unless, of course, you have the ability to shut out or block those who don’t agree with you, or shield yourself from contrasting views. Such a system would be very appealing to the typical human, providing a sense of safety and comfort.

We may want to be liked and accepted by others, but we also want to be admired by them. Social status is important for many species, and humans are no different. Our brains are very sensitive to it. Social phobias are by far the most common kinds, so any time you engage with someone new it’s potentially a big deal, requiring a lot of cognitive effort. And maybe because of this, our brains seem predisposed to making sure other people like us as much as possible. For example, the phenomenon of impression management suggests that our brains default to a positive self-image (even if it’s inaccurate), which guides how we present ourselves to others. You may scoff at someone for taking 50 selfies in a row before finding one they’re happy with, but the brain does that all the time.

But, imagine you had total control over how others perceive you. Imagine you could choose exactly how to look and what to say whenever you wish to say it, rather than being at the mercy of the world around you. This would remove much of the risk, reduce uncertainty and provide a very comforting sense of control.

So, the brain has all these properties, and many more, seemingly evolved to increase the odds of successful social interactions and gaining the approval of others. But in the real world, all this requires effort, and places demands on the brain’s limited resources. Dunbar’s number (named for the anthropologist Robin Dunbar) argues that the maximum number of stable relationships a human can maintain is 150, and social psychologists have often noted that prolonged social interaction requires periods of withdrawal, privacy, as the brain needs to “recharge”.

What Facebook and other social networks do is provide the social interactions, connections and approval we seemingly crave, but with less risk and less effort (something else our brains really respond to).

Facebook and the like tick a lot of our brains’ boxes, often without us realising, in simple, controllable, measurable ways (a nice chat is generally positive, but 78 likes on a status? That’s quantifiable, increasing a sense of status and control). It’s perhaps no wonder that so many seem unable to tear themselves away from it, despite all its considerable flaws.

Many suggest that we’re “addicted” to Facebook, but that’s a bit extreme. It better resembles the way our brains have evolved to respond positively to things that taste sweet, like fruits, because these provide valuable sugars and energy. But then we figured out how to refine sugar, and now need self-discipline and control to avoid it.

Facebook is like refined sugar for the brain’s social reward systems. And if eating bag after bag of sugar didn’t make you noticeably sick and had no detectable health consequences, it would probably be hard to stop.




References

Clun, R. (2018). 'Facebook says 310 000 Australians users may have been affected by Cambridge Analytica scandal' published in smh.com.au on 5 April, 2018.

Rolfe, J. (2018), 'DeleteFacebook: Aussies reveal why they are quitting the social media platform' by John Rolfe, published in perthnow.com on 30 March, 2018.



Fandom, An Unexpected Journey 600 Blog Posts... Thank You !

It seems like just yesterday I was celebrating writing and sharing my 500 th blog post. Today I am celebrating writing and sharing 600 blog ...