Friday, 31 July 2015

Alan Doyle And Hagersville Rocks, 2015...

Thanks to all the fans and the musicians and artists who shared their thoughts, feelings and photographs on their social media accounts and through the Hagersville Rocks official social media accounts. Sounds like Hagersville Rocks was a fabulous event and everyone who attended had a wonderful time.

There were a couple of great newspaper articles and photographs about Hagersville Rocks on July 25, 2015 circulated on social media. I don't seem to be able to share them via Google + page so I have just kept a copy here for my own interest as I like to collect Great Big Sea stuff.





Photo by Paul Barrie For The Sachem (no copyright infringement intended)

'Hagersville Rocks lives up to its name' 28 July 2015, by Jen Nevans, The Sachem. (no copyright infringement intended)

The stage was set for some of the nation’s top musicians as thousands of spectators made their way to Hagersville.

“We’re really excited,” said Tanya Ribbink, co-chair of the Hagersville Rocks committee.

Music fans filled Grant Kett Memorial Park on July 25 for the second annual Hagersville Rocks music festival. This year’s festival celebrated Canadian talent, including a performance by Haldimand musician Mark LaForme, known for touring with the late Stompin’ Tom Connors.

LaForme warmed up the crowd early Saturday afternoon, as a sea of fans sang and danced to the music.

Some spectators set up lawn chairs close to the action, while others reserved shaded spots on a hill overlooking the concert field. Drinks were flowing, along with high spirits and, of course, music.

The festival also featured Ally Howatt from Caledonia, the McCartney Years, the Practically Hip, Dry County and headliners Alan Doyle and Tim Hicks.

The committee’s goal was to attract 5,000 concertgoers, an ambitious target for the second annual event. But the group definitely saw new faces in the crowd this year.

“We can monitor our sales online,” Ribbink said. “There has been a sale from Barrie and a sale from Sarnia. There are some people coming from Ottawa. Definitely we’ve reached out a little more and the hope is that it grows each year.”

With Tim Hicks from the St. Catharines area, Ribbink also expected many spectators from Niagara Region.

The second annual Hagersville Rocks festival is now over, but the concert committee, which consists of 15 local residents, is already looking to plan next year’s event.

“We’ll have a wrap-up meeting next week and then we’ll be starting again the following week,” Ribbink said.

‘Just an Ordinary Day’ for Alan Doyle: Great Big Sea frontman reflects on lifetime of music ahead of Hagersville Rocks Tuesday, July, 21, 2015,  by Shawn Smith, The Sachem (no copyright infringement intended)


You might be lead to think that Alan Doyle’s life has slowed down since Great Big Sea’s last record in 2010.

You’d be wrong.

Things haven’t slowed down for the 46-year-old. In the five years since Great Big Sea, Doyle has released two solo albums, including January’s So Let’s Go. He’s also written a book, acted and toured extensively. On July 25, Doyle will bring his unique mix of Celtic, traditional rock to Hagersville Rocks as the event’s headlining act.

Doyle recently spoke to the Sachem from his Newfoundland cabin, where he was staying for a few days before embarking on the next leg of his tour.

“I was in Europe last week, playing festivals in Germany and France,” Doyle said. “I’m home for a few days, then off to Prince Edward Island. From there I head up your way in a few weeks.”

For nearly 20 years, Doyle enjoyed success as part of Great Big Sea, one of Canada’s most well-known acts. Their song “Ordinary Day” is a virtual Canadian anthem of sorts, and helped establish them as a must-see act across Canada and the world. Doyle says that even on his most recent tour of Europe, people were familiar with him.

“There is a built in folk music audience in lots of parts of Europe,” Doyle said. “They have an awareness of Celtic music, they know who I am over there.”

Doyle has been without the act that made him famous now for five years, something that has been both exciting and terrifying for the frontman.

“You go out with Great Big Sea, you have this wave of two decades behind you; when you go out on your own, you are trying to bring that with you as much as you can,” Doyle said. “You’re also bringing something new to people. It’s always thrilling to be out there without a net, sort of.”

Doyle isn’t afraid to tout being a small town boy from a fishing village in Newfoundland, but he’s also very much a rock star. It’s clear he likes the attention that comes with being one of Canada’s most recognizable voices. It doesn’t mean he’s egotistical or unfriendly, just that he’s aware of his abilities and the importance of what he’s doing.

“Everywhere I go is a big town to me,” Doyle said, laughing. “I have a big and deep respect for small places and for rolling into a town and being what’s going on in town that night. You can’t do that in a bigger city like New York or Toronto, there’s just too much going on. I love being the tour bus that rolls into town and everybody notices it.”

Today, Doyle’s live act is a mix of his new songs and hits from the Great Big Sea’s catalogue. Having started in clubs with his uncles at 13, Doyle’s ability to read a crowd is what sets him apart as a performer.

“Your job as a performer is to read what the night wants and give it to them, I love that part of it,” Doyle said. “Sometimes you’ll go on stage and have a set of barnburner drinking songs ready to go and you get out there and realize it’s more of a listening, folky audience. Other times you go out and realize it’s a rock and roll crowd and it is all barnburner songs.”

It might be ordinary day for Doyle, but it’ll be a special event when his bus pulls into town for Hagersville Rocks on July 25. 


For more information or to get tickets, visit www.hagersvillerocks.com.

Alan Doyle Live At The Edison. Canadian Broadcast...

I absolutely love this poster advertising Alan Doyle Live At The Edison on CMT.

The Canadian broadcast of the special was on last night. The concert was filmed several weeks ago in front of a live audience. Many of the Great Big Sea fans travelled from all over North America to attend.

The Canadian fans shared their thoughts and feelings via social media and from all reports they loved it.

For the rest of us who do not live in Canada, we will have to wait until we are either in Canada or CMT decides to legally distribute it via YouTube or another means. Hope the wait isn't too long.

Alan Doyle from his offical Twitter account.

Alan Doyle@alanthomasdoyle Me & The Beautiful Gypsies are on CMT tomorrow, Thurs, July 30th, 8:30 PM EST. Thanks for RTs and spreading the word. 29 July 2015

Alan Doyle @ Alanthomasdoyle Thks for checking out Live at The Edison on CMT Canada.The Beautiful Gypsies are amazing.Grateful to share the stage with them every night. 30 July 2015

(no copyright infringement intended on the poster)



Thursday, 16 July 2015

Alan Doyle (Canvendish Beach Music Festival review 2015)...

Fans came from all around the world (including Australia) to Prince Edward Island for the Cavendish Beach Music Festival to listen to some great music on Prince Edward Island in Canada. The musicians, artists and fans who attended posted some great pictures and stories from the event on social media. Sounds like everyone had an absolutely fabulous time. 

The following review was written by Mitch MacDonald and included a great collection of photographs of the musicians and artists and especially the fans who attended. The review was circulated on social media and being a collector of all things Great Big Sea and their fans I just wanted to keep a copy here for my own interest. It was very much appreciated, in particular for those of us who could not be there. Thank you Mitch. 

Of particular interest to me was when Keith Urban sang a duet with a local teenager. A video was circulated on YouTube soon afterwards by CBC news. What a thrill it must have been to be up on stage with Keith Urban in front of her family and home crowd. I have circulated an article "P.E.I teen will sing duet with country star Keith Urban" by Angela Walker from CBC News on my Google + page and an article with the video attached. 


I have also circulated the review "Cavendish Beach Music Festival goes off without a hitch by Mitch MacDonald" from The Guardian on Prince Edward Island, Canada on my Google + page and some videos for those interested.

Also see "Cavendish goes Urban" by Todd MacLean published on July 17, 2015 in the same newspaper. 

Cavendish Beach Music Festival goes off without a hitch by Mitch MacDonald Published July 13, 2015

CAVENDISH - A celebration featuring some of country music's biggest stars set against a scenic backdrop of P.E.I.'s north shore went off without a hitch this weekend.

While the dust is still settling on the site of the seventh annual Cavendish Beach Music Festival, it's clear the three-day extravaganza didn't disappoint the legion of country music fans that flocked to the venue.

Festival president Jeff Squires said a combination of cooperative weather and fantastic crowds led to a beautiful weekend for the festival.

"You see the excitement on P.E.I. over the past week and going into next week. It's just a great opportunity to bring people into P.E.I. and to showcase our wonderful province," he said.

What followed was a weekend featuring some of country music's most established acts, as well as promising up-and-comers and ambitious local musicians on three separate stages.

Headliners Eric Church, Keith Urban and Brantley Gilbert, as well as Rod Stewart's concert last Thursday, brought in thousands to campsites, restaurants and other attractions in the area.

While there was no final number for attendance, Squires said every night of the festival saw consistently large crowds.

"In the earlier years a lot of people would come for one night, they'd pick and choose," said Squires. "Now they're coming for all three days."

The long-running festival has also affected areas further out than Cavendish, with most campsites booked up months before the hoedown.

For Nova Scotia resident David Lade and his group of friends, renting a cottage in Stanhope and attending the festival was a summer highlight.

Donned in cowboy hats, Lade said the group wanted to come to the festival after attending last year's event.

"Even with the storm (that cancelled one of last year's concerts), we wanted to come back," said Lade. "It's well-run, well-organized, the acts are great and the people here are great."

Great Big Sea frontman and solo performer Alan Doyle noted during his performance that the festival had many visitors from outside of Canada as well.

"It's starting to feel like a kitchen party now," said Doyle. "We've got people here from America, from Australia for god sakes... are we gonna show them how it's done or what?"

The festival is now even a draw amongst non-country music listeners.

That was the case for Charlottetown couple Larry Hegarty and Judy Fraser.

"I'm not a big fan (of country music), I like it though," said Hegarty. ""It's just a great show and great event."

Fraser agreed.

"You get to meet new people and see a lot of people," she said. "It's a great place and some of the performances were terrific."

Alan Doyle Tour Posters 2015...

I absolutely love this poster advertising the summer concerts of Alan Doyle and the Beautiful Gypsies.

From Alan Doyle on Twitter...

Alan Doyle @alanthomasdoyle On the Road a bit in the coming weeks with an amazing band The Beautiful Gypsies. All Kitchen Party. All the Time 7 July 2015

(NO COPYRIGHT INFRINGEMENT INTENDED)





Sean McCann Tour Posters 2015...

I absolutely adore Sean McCann's recent tour posters. They are art in their own right. Being a collector of Great Big Sea stuff I have copied some here for a post.

The posters are from the official Twitter account of Sean McCann at @seanmcannsings.


(NO COPYRIGHT INFRINGEMENT INTENDED)











Sunday, 5 July 2015

Stanfest Rises Again ... And brings a few surprises | The Chronicle Herald (online sharing)

Last night Alan Doyle appeared at the Stanfest music festival in Nova Scotia. There was a review in a local newspaper The Chronicle Herald.

"Finally! It only took us two year to get here!" bellowed Doyle, who was slated to headline last year's festival. He made up for lost time with a full-throttle blast through songs from his solo albums Boy on Bridge and So Let's Go, as well as GBS favourites When I'm Up and Sea of No Cares."

Reviews like this one in The Chronicle Herald are the reasons why I love professional reviews rather than superfans. They are inclusive of all the musicians and artists that appear and include a great selection of photographs from all. Not just their favourites. I love this.

Here is a link to a review of the Stanfest Festival.

Stanfest rises again ... and brings a few surprises | The Chronicle Herald

“Going Local…”an interview with Alan Doyle.

Alan Doyle and Great Big Sea have been a great promoter of all things St. John’s and Newfoundland. On social media Alan Doyle is often asked questions from people wanting to visit and he has happily shared his local knowledge.

In this month’s copy of the airline WestJet’s magazine there is an interview where Alan Doyle who shares his favourite places and regular hangouts.

Many of the places mentioned in this article I have been lucky enough to visit on my fan pilgrimages to St. John’s and Newfoundland. I have included a photograph from my most recent trip I took from The Rooms on a snowy winter’s day looking out over St. John’s, the harbour and all the way to Signal Hill. The view was spectacular indeed.

I have copied a few of the comments made in the article here. It has not been copied in full due to copyright and to the best on my knowledge cannot be shared on social media.

The article “Going Local St. John’s with Alan Doyle” by Sara Samson is available digitally in the July 2015 issue in the West Jet magazine on the WestJet webpage www.westjetmagazine.com/issues.

Going Local St. John’s with Alan Doyle by Sara Samson.

Favourite festival…

Favourite live music venue…

Favourite place for a pint…
“It’s a tie between Erin’s Pub and The Duke of Duckworth” Doyle says noting that The Duke is a popular happy hour destination with locals.

Favourite place to eat…
“St. John’s has become a food mecca that has happened so recently the paint is still wet” Doyle says. He recommends Mallard Cottage in Quidi Vidi Village for its use of local produce, the refurbishment of one of North America’s oldest wooden structures, and because “it’s just a really cool, amazingly worldly, local restaurant”.

Fun Rainy Day Activity…
“(Visiting) The Rooms is the greatest rainy day activity in Canada, because the view from there looks cooler when the weather is poor” says Doyle of the building that houses the Newfoundland and Labrador Art Gallery, archives and museum.

Must-do…

Favourite place to shop…
‘O’Brien’s Music Store – the oldest store in the oldest city in North America. That’s what they claim anyways. It was the first music store I was ever in my life. They sell primarily  traditional instruments.”

Best out-of-town adventure…
“Easily Petty Harbour” Doyle says of where he grew up, about 15 minutes from St. John’s. “It’s just the coolest little fishing town (and has) the best fish and chips on earth at Chafe’s Landing.”




Saturday, 4 July 2015

An IGP DVD For Christmas?...Bootlegging, some research and few thoughts (reposted)

Some fans have been stating they would like an Indoor Garden Party DVD for Christmas and circulating the bootlegged recordings mostly from Great Big Sea's most reckless pirate and bootlegger to support their cause on social media.

As readers of my blog know I am not a fan of bootlegging unless it is part of the concert experience by casual and genuine concert goers. And then I only view bootlegs occasionally just to keep in touch with what fans are creating.

As I have said before I do like some bootlegs because of how they are made, from a genuine fan perspective. (The fans don’t have the prime notice me position or the position that enables a fan to count a band member’s nose hairs. They are sitting (or standing) further back, are inclusive of all the band members on the stage and while not free of human body parts, the sound is what I consider to be good).

As I have stated before bootleg videos can be totally dreadful as the quality of recordings varies depending on where the fan is sitting and the type of equipment they are using or it can be totally awesome. As an Internet consumer I don't like wasting my downloading allocation on rubbish.

As I have said before first impressions count when selling anything. I do believe music fans make decisions based on these bootlegged videos whether to buy music or concerts. It certainly doesn't make sense that people would buy products based on inferior sample products.

Whether that ship has sailed or not I don't really know. Russell Crowe's day job is not making music, it is making movies. However, Russell Crowe and his friends are entitled to make a profit on all their music including a DVD.

The research states bootlegging derails projects for musicians and artists. I do believe the endless bootlegging mostly by this Great Big Sea pirate and bootlegger of these concerts have impacted on the reality of them making a profit on a DVD.

I have reposted this post on research about the consequences and advantages of bootlegging. I hope it will convince fans to rethink the consequences of their diet of bootleg videos on the musicians and artists they love.


Bootlegging...some research and a few thoughts (reposted)

Wednesday, 20 August 2014


As I have mentioned in previous posts, the Blogger statistics often direct to me to posts and ideas written long ago on a range of subjects including bootlegging and piracy.... have always found it well worth the wait for official content involving the professional creators, even if it means not being part of the current social media chit chat and having to wait.

“The effects of piracy upon the music industry. A case study of  bootlegging” by academic Lee Marshall in Media, Culture and Society is an interesting piece of research on bootlegging (as distinct from piracy) in the music industry published in 2004. The article defines the different types of piracy including bootlegging, who consumes bootlegs, the scale of bootlegging and what affects they may have upon the music industry. Although written in 2004 and before the rise of YouTube and other social media sites that distribute sound recordings and videos many of the observations, discussions and arguments made by the author and those he interviewed are still valid today.

The author highlights the need for research on piracy across a wide range of settings. In 2004 the number of music fans interested in bootlegs was estimated to be between 100 000 and 200 000. They were only available at special record fairs and through mail order catalogues. Today, with YouTube anybody with an Internet connection can create, distribute and consume bootlegged material. The author raises the issue that some bootleggers in 2004 wanted to be paid for their recordings. As a consequence it would legitimise bootlegging. (Although in other articles for the same time I have read genuine bootleggers are only interested in trading not selling). Today YouTube pays account holders for their content including bootlegged material and in a way it seems quite legitimate to watch it.

The author makes some interesting comments about bootlegging. For example, the author argues that artists don’t lose royalties because the fan bootlegging had bought a ticket to a concert or merchandise. I have made this point before in I believe a ticket to a concert does not include the fan’s right to extras including making bootlegged recordings. The author argues bootlegging does not compete with traditional sales of music in 2004 however, ten years later the way we access music has changed considerably and this is not so. When discussing the disadvantage of bootlegs the author did not raise the issue of the artists and control over the quality of their product and how they are viewed and consumed by fans. Today many of the advantages bootlegs played in connecting fans to music have been replaced by social media and the artists themselves.

Marshall, L (2004) ‘The effects of piracy upon the music industry: a case study of bootlegging’ in Media, Culture and Society 26(2) (no copyright infringement intended)

Edited due to length and copyright.

….”bootleg albums contain recordings that have never been given official release. The vast majority of this officially unreleased material is of two types: live concerts (the result of either an audience member smuggling a recorder into the venue, or of a ‘line’ source, such as a feed from a radiobroadcast); and ‘out-takes’ (studio recordings of songs that did not make it on to the finished album, or alternative versions of songs that were released). The material contained on an artist’s bootlegs is thus not the same as that on their official albums.

The official industry has regularly portrayed the bootleg industry as a high-level, large-scale crime. The claim is always that these are all collectors, that they just do it for the sake of the music, that they only do 1,000 or so of each tape, and that a 10,000-unitrun is like the maximum they’ve ever seen. That may be true for some small segment of the bootleg population. But there’s definitely big-time commercial criminals involved. They’re not investing in four-color glossy jackets for a1,000-copy run; they do major runs, they do 50,000 to 100,000 units of someone’s product.

Bootlegging is a relatively small-scale activity. The individuals who collect bootlegs are in general the most committed fans that an artist has: ‘bootlegs appeal most to die-hard fans who want everything’. 

The sales of bootlegs are comparatively small because the number of fans interested in them is also comparatively small: Heylin estimates the number of fans buying bootlegs worldwide to be between 100,000 and 200,000.

The individuals who collect bootlegs are in general the most committed fans that an artist has: ‘bootlegs appeal most to die-hard fans who want everything’…The people who buy bootlegs are extremely committed fans who use bootlegs as a way of maintaining an ongoing, meaningful relationship with their favoured artists or bands. What is important here is to highlight that it is fans rather than casual consumers who are the market for bootleg records”.

Arguments against bootlegging.

The two main arguments are that bootlegs detract from officially released record sales; and that recording artists and songwriters do not obtain any royalty payments from the sale of a bootleg.

The fact that artists being bootlegged obtain no financial reward for their work. Also, he’s [the artist, sic] being cheated financially in very severe terms, because every (bootleg) record that is sold bypasses the artist completely. He receives no royalties, no payment whatsoever. The artist has been deprived of any opportunity to earn an income from his creative efforts.

The majority of bootlegs are of live performances and these tend to involve someone smuggling a recording device into the venue and recording the show. If this is so, then the artist (and his record label) has received payment for that performance in the shape of ticket sales (not including the revenue generated from sales of concert souvenirs such as T-shirts).

Many current bootleggers desire a return to the situation whereby they are granted some rights to put out the bootleg by paying mechanical royalties. The record industry is against this, however, for it would confer some legitimacy on bootlegging. They had no role in creating the content.

The attitude and loyalty of these fans also works against an argument made by Schwartz that bootlegs may detract from future sales: ‘a record company may find that its own plans to someday release performances from the past have been derailed by pre-emptive bootleggers’.

The benefits of bootlegging

The three potential benefits of bootlegging re: bootlegs enable the industry to hold on to a particular type of fan; bootlegs act as underground promotion for both established and upcoming acts (this is related to notions of artistic authenticity, which are crucial in determining the value of the officially released commodity) and bootlegs have acted as an impetus for a large number of official (and successful) releases.

One positive effect is that bootlegging helps maintain a consumer attitude among a demographic group that conventionally buys fewer records. Music is not the dominant consumer force it was in the 1970s and, with many other competing leisure attractions, the declining consumer attitude towards popular music is a problem for the industry.

Bootlegging at least maintains one (small) segment of consumers who would probably be lost to the industry otherwise, because it keeps collectors in the habit of buying new records. Bootlegs give these fans a product to consume, and keeps them in touch with other forms of music consumption (e.g. ticket sales).

Bootlegs help maintain the relationship during the artist’s ‘off’ period, thus maintaining a stable market for when any new album is released. So one way that bootlegs help the industry is that they keep interested in music people who would normally have moved away from record buying.

A lot of bands see tapes made by fans as free advertising.

Bootlegs act as underground promotion because there is a critical kudos attached to being bootlegged. Being bootlegged labels you as a live act, which is important for notions of authenticity within rock music.

These notions of authenticity are extremely important in creating the value of the artist’s official releases. Although the majority of bootlegs are of established and successful stars, bootlegs can also help up-and-coming bands develop a following and a critical reputation.

There are many tapers who record bands like this as one way of documenting a music scene.

Through the critical kudos attached to being bootlegged, and the way that this will feed into official record sales and concert ticket sales, bootlegs can actually feature as a good form of publicity for both established and new artists.

The final way that bootlegging can be seen to have a positive impact upon the official industry is by acting as an impetus for official releases. This is particularly the case in the last ten years when the language of bootlegging has become commonplace within the official industry.

Thursday, 2 July 2015

On The Trail Of The Caribou…The making of a documentary on social media.

Allan Hawco@allanhawco Today is Canada Day for most but July 1st is a day of Remembrance at home. Dates back to the Dominion of Newfoundland days. #trailofthecaribou

As Allan Hawco fans know, he and fellow Newfoundlander comedian Mark Critch have been making a documentary called the ‘Trail of the Caribou’ following in the footsteps of the Royal Newfoundland Regiment and their campaigns throughout Europe during World War 1. Next year, 2016 will the 100 th anniversary of those campaigns (I circulated an article from CBC Canada about the making of the documentary and interviews with Allan Hawco and Mark Critch on my Google + page). Recently they were joined by their friend and fellow Newfoundlander Alan Doyle for part of the tour.

Allan, Mark and Alan have been recording their amazing journey for fans by generously sharing their thoughts, photos and selfies of significant events on social media. These events have inspired me to find out more about the role of Newfoundlanders and the bravery and sacrifices of their young men during the various campaigns. While I don’t think this blog is an appropriate place to discuss these events, I just wanted to briefly mention their importance in relationship to the events posted on social media and the making of this documentary.

I began with an excellent book I bought when I was in Newfoundland called “A Short History of Newfoundland and Labrador” compiled by The Newfoundland Historical Society. In a chapter called ‘The Twentieth Century’ the authors provide a brief overview of the significance of the events and in particular the campaign at Beaumont Hamel for Newfoundlanders. The Newfoundland Regiment was the only North American regiment to fight along aside the British and ANZACS (Australian and New Zealand Army Corps) at Gallipoli in 1915.

“The Newfoundland Regiment fought with distinction at Gallipoli before being transferred to France. Its sacrifice in the Battle of the Somme stood out in particular.  Near the village of Beaumont Hamel, on 1 July 1916 , 753 men marched into the German machine gun fire, leaving only sixty-eight able to answer roll call the next day. About one-third of the Regiment had been held in reserve in Great Britain, and, once reinforced with more recruits, it went on to fight in several more significant battles including Monchy-le-Preaux, Ypres and Cambri. In recognition of its role in these later two battles, the Regiment was awarded the title “Royal” the only regiment given this honor during the First World War.”

There are many other online sites where those interested can find out information about these events. The Rooms in St. John’s, Newfoundland have a wonderful online site containing information and videos about Newfoundland’s roll in World War 1 and The Veterans Canada page has wonderful information about the role Newfoundland soldiers played at all the sites visited by this documentary team.

I have included a couple of comments and photos circulated on Twitter about the significance of some places and events and the filming of the documentary for future references. Those thoughts, photos and selfies, and the thoughts and photos of others can be found on the official social media accounts of Allan, Mark and Alan and by searching the associated hashtags. There is a wonderful collection of photos and selfies on their official Instagram accounts.

(NO COPYRIGHT INFRINGEMENT INTENDED)

Singing the Ode on Memorial Day in Beaumont Hamel…

Allan Hawco…(from the official accounts on Twitter and Instagram)
Allan Hawco @allanhawco #lastpostandchorus #trailofthecaribou #beaumonthamel 1 July 2015 (posted on Instagram a short video and circulated via Twitter)

Allan Hawco @allanhawco Wow. I got to sing the Ode to Newfoundland with @markcritch @alanthomasdoyle at #BeaumontHamel today. WHAT AN HONOUR 1 July 2015 (photo on Twitter)

Allan Hawco @allanhawco Preparing for the #beaumonthamel #trailofthecaribou Pass it on (four beautiful photos on Instagram) 1 July 2015

Allan Hawco@allanhawco Today is Canada Day for most but July 1st is a day of Remembrance at home. Dates back to the Dominion of Newfoundland days. #trailofthecaribou 1 July 2015

Mark Critch…(from the official account on Twitter)

Embedded image permalink

Mark Critch @markcritch Beaumont Hamel #trailofthecaribou #BeaumontHamel 1 July 2015 (one photo on Twitter)

Mark Critch @markcritch NL Regiment tie, Poppy and Forget Me Not. All ready to pay tribute at Beaumont Hamel #trailorthecarbou 1 July 2015 (one photo from Twitter)

Alan Doyle...(from the official accounts on Twitter and Instagram)
Alan Doyle @alanthomasdoyle Been quite a July 1 for me as a Newfoundlander. Very grateful for it all. Would love to say good night with a Happy Canada Day to all. 1 July 2015

Embedded image permalink


Darin King@king_darin Spectacular job by @alanthomasdoyle @allanhawco and @markcrtich on Ode to NL. Tks for being here @LegionNLCA @GovNL 1 July 2015 (photo on Twitter) (retweeted on Twitter by @allanhawco and @markcrtich)

Reply from Alan Doyle Thanks to @allanhawco and @markcritch for the help. 1 July 2015

Alan Doyle@alanthomasdoyle Honoured to be in Beaumont Hamel on this day. Singing the Ode at the Memorial Day Service on the very site where so many gave so much. 1 July 2015

Embedded image permalink

Alan Doyle@alanthomasdoyle Lest We Forget 1 July 2015 (one photo on Twitter)

Tommy Rickets memorial in Belgium…

Alan Doyle...(from the official accounts on Twitter and Instagram)
Alan Doyle@alanthomasdoyle At the Tommy Rickets monument on the very farm in Rural Belgium where his bravery would later earn the Victoria Cross. 30 June 2015 (one photo on Twitter)

Mark Critch…(from the official account on Twitter )

Embedded image permalink

Mark Critch@markcritch This Belgium family put up a monument to Tommy Rickets in thanks to NL Regiment. @alanthomasdoyle sings for them 30 June 2015 (three photos on Twitter)

At the Somme…

Alan Doyle...(from the official accounts on Twitter and Instagram)

Embedded image permalink

Alan Doyle@alanthomasdoyle Sunrise on the Somme. @allanhawco @markcritch 29 June 2015 (photo on Twitter) (retweeted by Allan Hawco and Mark Critch on Twitter)

Alan Doyle @alanthomasdoyle Very Early Rise to shoot with @allanhawco and @markcritch on the Somme. 29 June 2015

Beaumont Hamel…

Alan Doyle...(from the official accounts on Twitter and Instagram)
Alan Doyle @alanthomasdoyle With allanhawco and markcritch at Beaumont Hamel. Singing the Ode here July 1st, 2015. 99 years (photo on Instagram)

Embedded image permalink

Alan Doyle @alanthomasdoyle With two of Newfoundland’s Finest @allanhawco @markcritch telling a story that has to be told from Beaumont Hamel. 29 June 2015 (photo on Twitter) (Retweeted on Twitter by Allan Hawco and Mark Critch)

Embedded image permalink

Alan Doyle @alanthomasdoyle The Gents @allanhawco and @markcritch at Beaumont Hamel. 29 June 2015 (photo on Twitter)

Mark Critch...(from the official accounts on Twitter )

Mark Critch @markcritch In the trenches of Beaumont Hamel with @alanthomasdoyle #trailofthecaribou 29 June 2015

Alan Doyle arrives in France…

Alan Doyle...(from the official accounts on Twitter and Instagram)
Alan Doyle @alanthomasdoyle Early rise here in France. Off filming with @allanhawco and @markcritch following the path of NL’s WW1 Soldiers. So grateful for this chance 28 June 2015

Monchy-le-Preaux

Allan Hawco...(from the official accounts on Twitter and Instagram)
Allan Hawco @allanhawco #Monchylepreaux #trailofthecaribou 28 June 2015 (four beautiful photos on Instagram circulated on Twitter)

Mark Critch...(from the official accounts on Twitter)
Mark Critch @markcritch Monchy le Preaux – 9 Newfoundland soldiers held off 300 Germans here #trailofthecaribou 28 June 2015 (one photo on Twitter)

Kortrijk

Allan Hawco...(from the official accounts on Twitter and Instagram)
Allan Hawco@allanhawco #Kortrijk or as it was once known as #courtrai. My first time at this one. Beautiful 30 June 2015 (Four beautiful photos on Instagram circulated on Twitter)

Gueudecourt

Allan Hawco...(from the official accounts on Twitter and Instagram)
Allan Hawco @allanhawco #Gueudecourt 27 June 2015 (One photo on Instagram circulated on Twitter)

Allan Hawco @allanhawco #trailofthecaribou 27 June 2015 Gueudecourt Caribou Memorial in France. Breathtaking. (four photos on Instagram circulated on Twitter)

Mark Critch...(from the official account on Twitter)
Mark Critch @markcritch Gueudecort, France – memorial to the NL Regiment #trailofthecaribou 27 June 2015 (one photo on Twitter)

Turkey

Allan Hawco...(from the official accounts on Twitter and Instagram)
Allan Hawco@allanhawco Good bye Turkey, thank you for the beautiful hospitality. Such an enlightening experience tracking the steps of our NFLD Regiment took in WW1 26 June 2015.

Allan Hawco@allanhawco What all the fuss was about #Dananelles #trailofthecaribou 24 June 2015 (one photo on Instagram circulated on Twitter)

Allan Hawco @allanhawco Caribou Hill in Gallipoli, Turkey. The farthest the Allied Forces advance in Turkey during WW1. Named after the Newfoundland Regiment. It was a brutal campaign. 24 June 2015 (one photo on Instagram circulated on Twitter)

Allan Hawco @allanhawco Good times being had as well on this solum pilgrimage. #trailofthecaribou (one photo on Instagram with Mark Critch and circulated on Twitter)

Allan Hawco @allanhawco Kangaroo Beach – where the NFLD regiment saw it’s first action in WW1 1915 #trailofthecaribou 22 June 2015 (one photo on Instagram and circulated on Twitter)

Mark Critch...(from the official account on Twitter)

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Rod Etheridge @rodethridge @allanhawco @markcritch at beach NLers evacuated when Allies left Gallipoli Peninsula @CBCNL #trailofthecarbou 23 June 2015 (one photo retweeted by Mark Critch on Twitter)

Rod Etheridge @rodethridge @allanhawco @markcritch @CBNL #trailof thecaribou 23 June 2015 (one photo retweeted by Mark Critch on Twitter)

Mark Critch @markcritch Mayo Lind wrote home to Newfoundland from these fields #trailofthecarbou 23 June 2015 (one photo on Twitter)

Rod Etheridge @rodethridge Caribou Hill in Gallipoli w/ @allanhawco @markcritch #trailof thecaribou @CBNL 23 June 2015 (one photo retweeted by Mark Critch on Twitter)





Wednesday, 1 July 2015

Alan Doyle And A Fan Question And Answer On Twitter (25 June, 2015, Montreal airport)…

At a recent stopover in Montreal on a trip to a music festival in Frankfurt, Germany, Alan Doyle asked his followers/fans if there were any questions on Twitter.

I have compiled a brief summary of some of the questions and answers I found really interesting. As I did with the Facebook question and answer post, I have deliberately left out the identity of the person who asked the question and some personal comments to protect their identity and for copyright reasons. The questions and responses are not in the order they were answered on Twitter but random.

I have copied Alan’s response to allow him to respond in his own words.

With this question and answer session we found out a little bit about the possibility of some new music, the up and coming Crowe/Doyle new songbook, the challenges of recording an audio book and the release date, when the fans can expect the release of his next book and his role in working on the new Corey Telford album. There were also some personal questions about favourite beer, food and where to go and where he can be found in Newfoundland.

Out of all the questions I particularly like this one about doing chores at home and showing of his sense of humour.

Fan “What’s the #1 chore you absolutely dread doing at home? If you dread doing anything..”
Alan     hmm…I just does what I’m told…honestly.

I am sure for a guy who spends most of his time on the road, making music and doing what ever he wants being told what to do at home is not really a hardship.

And you have to love a guy with a sense of humour
Fan      What’s one gig you’ll never ever ever foget?
Alan     the next one

Twitter questions and answers 25 June, 2015 from Montreal airport.

On his trip to Europe…
Are you doing a gig in France on this trip Alan?
Alan     not really. Participating in a Doc film

The Cory Telford solo record…
What can you tell us about Cory Telford’s solo record and your involvement in it?
Alan     not a lot, other them i’m helping him whatever he needs

From Cory
We’re producing it together. Writing last few songs. Coming up with plans to record it with the Gypsies
Alan     yeha

Big recent moments…
What was your biggest moment from the so let’s go tour?
Alan     Hmm…selling out TO Danforth was a huge gig for me.

Life on the road after GBS…
Are you enjoying to not have quite as hectic of a tour schedule these days as you did with GBS?
Alan     its all good

How has branching on your own affected the style in which you write and perform as a musician?
Alan It’s a bit more wide open as anything goes.

The new Crowe and Doyle songbook…
Are you still working on the next Crowe/Doyle cd?
Alan     RC and a few are gathering in LA soon I think to final tweak.

Is Man in the Mirror on the CD? You guys rock the heck out of that song with due respect to MJ.
Alan     I don:t think so...wicked tune though

So when it is finalised will it be released for purchased?!
Alan     for sure

Wants to know what is the vibe of the new Crowe/Doyle cd!?
Alan     all over the shop

Once the next Crowe/Doyle collaboration is done…does that mean more IGP to follow?!
Alan     I hope so

The new book…
Any chance you’ll be writing another book?
Alan     Already started.

When should we expect book 2. Love Montreal btw the atmosphere and the traditions the people
Alan     book 2 2017

When is the audio version of ur book due out in stores?!:)
Alan     In October with the soft cover

Challenging part of recording an audio book?
Alan     the voices

Collaborating with others…
Which artists would you like to cowrite or collaborate with that you haven’t already?
Alan     Steve Lillywhite…amazing musician

On writing music with Scott Grimes…
Of all the beautiful songs you’ve written with Scott Grimes, which is your favourite?
Alan     stay…or home

On the Once band…
What makes the Once band such a stand out group?
Alan     harmony, simplicity, power, passion for the lyric, b'ys play like monsters and gerri is a babe

On speaking French…
How is your French?
Alan     not so good any more…was decent in UNI

Where to go and what to do in St. John’s and Newfoundland…
If you were a tour guide in St. John’s, what’s the first place you would stop at?
Alan     Signal Hill

Favourite Newfoundland day trip?
Alan     Trinity

On food…
What’s is your fav beer?
Alan     GUinness, but Im a bit of a snob for good Guinness

Favourite song…
What’s your all-time fave song to sing…or does it change periodically?
Alan     peut être 'Ordinary Day'. Cette chanson est très puissant...??sont très puissant?

On family life and being on the road…
Is it hard to juggle your career and still a good family life?
Alan     i have to constantly pay attention to it. its do able, but only with care and attention

Grade Three…
Did you pass grade three?
Alan     The Prince passed with flying colours. I might have to do a summer course or two.

Books…
What books are you into these days?
Just finished David Usher’s…very cool.

I have also included an absolutely drop dead gorgeous Alan Doyle selfie from his official Twitter account. There have been so many beautiful photographs and selfies from this trip it has been hard to pick a favourite. But I chose this one taken at the railway station on the way to France. 

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Alan Doyle @alanthomasdoyle Allons-y 28 June, 2015 

(from the official Twitter account of Alanthomasdoyle. No copyright infringement intended)


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