Saturday 26 January 2019

Russell Crowe And 'A Less Contentious Australia Day Tweet'...An Australian responds (Repost) (78/365).

My thoughts about Australia Day haven't changed since last year... change the date to be inclusive of all Australians including Indigenous Australians and those Australians not living in New South Wales. 

Russell Crowe And 'A Less Contentious Australia Day Tweet'...An Australian responds (Update and Repost) published 18 March, 2018.
I have reposted this post as while researching I found a photograph of Russell Crowe (and Alan Doyle) and The Ordinary Fear Of God performing at the Australia Day Live Concert at Parliament House in Canberra on the 25 January, 2006. What an awesome concert that would have been. 




(no copyright infringement intended)


Russell Crowe And 'A Less Contentious Australia Day Tweet'...An Australian responds published on 27 January, 2018.

On the 25 January, 2018, the day before Australia's national day of celebration Russell Crowe wrote on his official Twitter site... 'I am going to say Happy Australia Day , on a different date. Take away the contention , let's have a date we can all embrace. We should be sensitive enough to recognise all those who have lived in this land before us , if you live here , you belong to them , and they to you.' 

One of the reasons I love writing my blog is that I always find so many interesting things to research and write about. And this topic is definitely one of those. Two days on from when the tweet was first posted the responses keep coming. Well over 600 responses from fans, Australians (both Indigenous and non-Indigenous) and foreigners who have weighed into the discussion. And what a discussion this has been for Twitter and social media.

There were the loyal Russell Crowe fans from overseas (and Australia) who agreed with Russell again, over something that didn't affect them or their family and they had no trouble criticising Australia and telling Australians what to do. Most of these fans from overseas don't have a clue about Australia's history, have never been to Australia and nor have they ever met an Australian or an Indigenous Australian yet they weighed in.

There were those who responded and told Russell 'politely' that he was a Kiwi who has never taken citizenship and voted and that he should mind his own business and keep his opinions to himself. There were many of those who wrote and I agree with that there is no 'we' as long Russell doesn't do his time and take his citizenship and vote. He doesn't have the right to speak for me as an Australian and what we should do about anything in this country even though he lives here beyond the scope of his own family and investments. I was initially peeved at his comments and for taking yet another dig at Australians and Australia the country he says he calls home.

There was also a really interesting educational and informative discussion by many Australians about the history of colonisation in Australia and the possibility of changing Australia Day to another date. Of course I wouldn't take anything I read in a Twitter or a social media timeline as the absolute truth and would check the comments made against reliable sources, but I was heartened by the informative, non abusive and non name calling discussion in order to attempt to resolve this issue.

The traditional media also caught on about Russell's comments who use Twitter and social media as a source of 'news'. At the time of writing this post there were stories on Yahoo and from the Daily Mail in the United Kingdom. These articles describe how there are a number of Australian celebrities joining the 'Change the date' cause. These 'news' stories were supplement with screen shots of tweets and beautiful pictures of flag waving Australians.

I am sure Russell Crowe (as are a number of celebrities) are fully aware of the power of their Twitter and social media accounts to created publicity for any cause. Like a range of social media has the power to make most participants whether they are a celebrity or not feel better about themselves without having to do anything substantial. For Russell there is the extra advantage of using Twitter to take a dig at Australia and Australians with his 'loyal' followers trolling them and dividing Australians themselves.

Russell posted the tweet on his official Twitter account on the 25 January or Australia Day eve to 'take away contention'. What many of his loyal supporters on Twitter didn't realise that his post supporting the call to change the date posted on the 25 January is the official beginning of the Australia Day celebrations especially in the nation's capital Canberra when the Australian of the Year awards are announced.

Australia Day celebrations in past were held on the 25 January or the 26 January depending on what day of the week it was. When I lived in Canberra ordinary Australians like me would wonder up to the old Parliament and watch the presentation of Australian of the Year and participate in various activities including a concert and fireworks.

However, with each change of government the day and celebrations for Australia Day change. This year The Australian of the Year awards and Australia Day celebrations for the Australian elite in Canberra were held on the 25 January at the Big Hall in Parliament House. I am not sure what kind of a presentation it was but I am assuming it was an invited sit down dinner only. Ordinary Australians, residents and visitors were left with a family friendly barbecue, flag raising, citizenship ceremonies and some fireworks and a concert in the park now on the actual day. So I can't imagine it being a big deal to change the date.

Many of Russell's followers do not understand Australian history as many Australians don't but still they actively defended him. Many failed to remember Russell owns half of the Australian rugby league team the South Sydney Rabbitohs . Unlike the National Rugby League site the South Sydney Rabbitohs did not write an official happy Australia Day post to it's members and supporters on Twitter. The South Sydney Rabbitohs supports Indigenous Australian players and has a long and complex history with the Indigenous Australian community and the local Sydney suburb of Redfern where the organisation is located.

A recent article on ABC News gave an overview of the Invasion Day protests around Australia and those in Sydney... 'This year Sydney protests marked the 80 th anniversary of the Day of Mourning where thousands of protesters walked through the streets of Redfern wanting a treaty between Indigenous Australians and the Government... Australia is the only country that does not have a treaty with its Indigenous population...A twin Australia Day protest was held at The Block in Redfern, with more than 3,000 people spilling out of the park and joining the walk to the Yabun Festival held at Victoria Park.'

To his credit Russell has always had an interest in Indigenous Australian culture and history. Last year he visited remote Indigenous communities throughout central Australia and Western Australia with friends. Although it was a private unannounced visit he did attract the attention of the local media who published some photographs and stories (Iannella, 2017). Russell also posted some photos and videos on his official Twitter account. When the political party the Greens who support the 'Change of Date' campaign were asked about their experience in remote Indigenous Australian communities many of their elected politicians would not say what their experiences were or when they last went to a remote Indigenous Australian community (Higgins, 2018). So credit to Russell.

In a poll taken by the morning television show Sunrise on Facebook 74 % of people who voted did not want the date of Australia Day changed. Prior to writing this blog post I would have been in that camp. After some research and a bit of resistance I believe Australia should begin discussions to change the date.

King (2018) provides a brief but excellent overview of the history of the colonisation of Australia. The writer states something I didn't know 'It's a misnomer anyway calling January 26 Australia day because that is historically inaccurate. The 26th was not arrival, they arrived in Botany Bay on 18th January...On 26th January Phillip established a penal colony not a nation...'

This Australian now believes we should celebrate Australia Day on January 1 when the nation of Australia was actually created. King (2018) continues 'January 1, 1901 was all about nation building - not British naval officers just founding one penal colony - but Australians creating their own nation.'

And so the debate and push around changing the date of Australia Day continues in particular by some political parties within Australia. However, there are those non Indigenous and Indigenous Australians that argue this takes away from more important issues that concern Indigenous Australians like housing, health and shorter life expectancies, justice, domestic violence, child neglect, education and employment. Governments have discussed closing the gap between Indigenous and non Indigenous Australians for years and this should be a priority. I agree.

References

ABC News, 2018. 'Invasion Day marked by thousands of protesters calling for equal rights, change of date' published on ABC News on 26 January, 2018 at abc.net.au.

Canberra Times, 2018, 'Greens may be off the mark with Australia Day push' published in The Canberra Times on 15 January, 2018 at canberratimes.com.

Higgins, E. 2018, 'Greens’ focus is not on Aborigines, says Sue Gordon' published in The Australian on 20 January, 2018 at the australian.com.au.

Iannella, A. 2017. 'Russell Crowe visited the APY Lands, and Tjala Arts Centre in the Amata community' published in The Advertiser on 3 May, 2017 on news.com.au.

King, J. 2018. 'Australia Day: Why our destiny requires another date to celebrate' published in The Sydney Morning Herald on the 21 January, 2108 at amp.smh.com.au.

Sunrise Official Twitter Account, 'Should we change the date of Australia Day Facebook Poll' published on 24 January, 2018.

Weekend Australian, 2018. 'Greens get good telling off from indigenous leaders' published in the Weekend Australia, on 23 January, 2018 at theaustralian.com

Saturday 19 January 2019

Alan Doyle And Friend's Fundraising Video 2018...A repost for Throwback Thursday (77/365)

I thought the post I wrote 'Alan Doyle And Friend's Fundraising Video 2018...published 16 January, 2018' needed a repost for Throwback Thursday for the anniversary so here it is. 

I have circulated the totally awesome music video on my Google + page for those fans interested...

All the best to John Mann and his family and friends always...


'Alan Doyle And Friend's Fundraising Video 2018...published 16 January, 2018'

During November 2017, 'The Spirit of Canada A Benefit' brought together approximately 50 of Canada's best artists and musicians (including Alan Doyle, Jim Cuddy, Sarah McLachlan and Ed Robertson) to help raise funds for one of their own John Mann. The benefit was held on Sunday, 19 November, 2017 at the Commodore Ballroom in Vancouver, British Columbia. 


The event was held to help raise funds for his medical condition (who was diagnosed with the early onset of Alzheimer's) and personal needs. During that night Alan Doyle and friends recorded a cover version of the Spirit of the West song 'Home For a Rest' and made a video that shows Mann enjoying the night dancing on stage while friends perform the song. The video was shared on social media and through the traditional media to help raise awareness and funds. The video is totally awesome and I wish them all the best. 

Alan did some interviews about the experience of doing the fundraiser and recording the song and making the video. I decided to let Alan's words speak for themselves and have copied an interview from CBC Newfoundland and Labrador below. I have shared a copy of the 'Home For a Rest' video from YouTube on my Google + page. I have also shared some screen shots I have done from the video. As always no copyright infringement intended. 

"We got it in the can in the can': Alan Doyle spearheads bathroom recording to benefit John Mann." published on 14 January 2018.

Track recorded in restroom during benefit show for Spirit of the West front man who has Alzheimer's.

A new version of a Spirit of the West hit was recorded in a restroom before a Vancouver gig to support ongoing care for the band's lead singer, who is living with early onset Alzheimer's.

"We got it in the can in the can," said singer-songwriter Alan Doyle of the recording, which came together with the help of other Canadian musicians at the Nov. 19 benefit show at the Commodore Ballroom.

"'I knew when that gig was coming up, that it was going to be a special day," Doyle told Weekend AM about the show in support of John Mann, who was diagnosed in 2014 at the age of 52.


In order to have something from the benefit that would last beyond the event itself, Doyle planned a recording of one of the band's best-known songs, Home For A Rest.

Doyle and members of his touring band laid down a bed track while in Halifax for a gig, and vocals — and a video — were recorded at the Commodore ballroom on the day of the show itself with dozens of the musicians who played on stage later that evening.

Doyle a longtime fan 

Doyle has a long history with Mann and Vancouver-based Spirit of the West as a solo musician and as a member of Great Big Sea. 

But his introduction to the band actually came from Much Music in the late 1980s. Doyle said he was excited to see music videos from a band playing the traditional instruments he was familiar with in an entirely new way.

"The first band that we knew in Canada that was getting on television, and even getting on the radio, and playing acoustic instruments really aggressively and punky was Spirit of the West," Doyle said of the band, which he described as a huge influence on him as a young musician.

"The way they chose to play very, very, delicate, fragile acoustic Celtic instruments was incredible to me," Doyle said. "It was very influential, yeah, probably one of the most influential bands of my lifetime."

'A show of love and support

The musical tribute to one of the band's biggest hits was planned around the November show, which Doyle described as "a night of entertainment, as a show of love and support and fundraising for John and his ongoing care."

With the bed track already recorded, Doyle and audio engineer Peter Green set up shop in a second-floor men's washroom at the venue, bringing musicians in and out during pre-show rehearsals to record on a mic lent by famed music producer Bob Rock, who was in town working on another project.

The unusual lavatory location for vocal recording was selected because it was enclosed, quiet and as far as possible from the rehearsal space, Doyle said.

"We did drape it nicely. We found a bunch of black drapes to put over the urinals and the like," Doyle said. "We had Sarah McLachlan coming in there. I couldn't ask Sarah to go to just any old men's can to sing a song."

Along with Doyle and McLachlan, the Home For A Rest cover includes Jim Cuddy (Blue Rodeo), Ed Robertson (Barenaked Ladies), Barney and Dustin Bentall, Colin James, and Craig Northey (Odds).


Geoffrey Kelly and Tobin Frank from Spirit of the West also played, along with some of the band members' children.

A GoFundMe page set up to support Mann and his family as his disease progresses and the amount of care he requires increases had surpassed its goal after raising $22,567 as of Friday. 

As for Mann himself, Doyle said he was at the show and appeared to enjoy the evening.

"He just kept saying to me that it was lovely, the whole day was lovely," Doyle said. "Anything that keeps him connected to his friends and his musical friends that love him is good."























Murray Foster News...Sold out show (76/365)

Murray Foster shared the totally awesome news on social media that his most recent solo show had sold out...

Hopefully this show is the first of many sold out shows for the brilliant and talented singer and musician Murray Foster. 

The posts are from the official Murray Foster Facebook and Twitter accounts. No copyright infringement intended. 










Wednesday 9 January 2019

Alan Doyle And 'Beautiful To Me'...Throwback Thursday (75/365)

'I don't want you to be anyone but yourself, because I am not going to be anybody but myself' Alan Doyle... 

Around this time last year Alan Doyle was getting ready to release the official music video for the song 'Beautiful To Me' which was developed with an amazing group of people called 'The Magic Project'.

So I thought the 'Beautiful To Me' music video project would make a great Throwback Thursday introducing new fans and encouraging a revisit from those fans who have seen it.

As I always try to let people speak for themselves on my blog where possible about their creative work I have copied a post published on Alan Doyle's official webpage alandoyle.ca about the song and the development of the music video. No copyright infringement intended.

I have circulated a copy of the music video 'Beautiful To Me' on my Google + page for those fans who have never seen it or those interesting in seeing it again.

I have included two posts from the official account of @AlanThomasDoyle and @Sonic Entertainment. No copyright infringement intended. 







'BEAUTIFUL TO ME. A LOVE LETTER' January 30th, 2018 by Alan Doyle

Myself and a wonderful group of people called The Magic Project are releasing a special video today. It is a music video of sorts, I suppose, but not a conventional music video like we are all used to. Rather this is a joint venture to show the Beauty of people. All People. And this song and video are both primarily a message from me to everyone that my concerts are open to all with love in their hearts.

I wrote the song Beautiful to Me with a pal Tawgs Salter in 2016. I have written a few tunes with Tawgs and I explained to him that I wanted to write a song in response to some legislation that was recently tabled in a US targeted directly at members of the LGBTQIA2S+ community. What would become known as “the bathroom bill” seemed so regressive to me and so unnecessarily and unfairly aimed at a part of our population that I felt I needed to make a statement of some kind in their defence. I suppose I just wanted the LGBTQIA2S+ community and everyone else to know, that I just want people to be themselves. Their whole selves. I want everyone to feel comfortable and be their happiest selves, and whatever gender, sexual preference, colour, race, or creed is welcomed and encouraged as far as I’m concerned.

If this video speaks to you as it does to me, I encourage you to share it as much as you like. There’s never too much Love in the world.

Smile
I wanna see you smile
Anytime
Your eyes meet mine
My song for you
Is be Easy and True
I’ll be yours
If you wanna be mine

My marquee is a Welcome sign
My arms and doors are open wide

Come one Come all
Come Big and Small
Let all the colours of the rainbow fly
Bring the fellas and the girls
And the dreamers of the world
And you can let your own light shine
I’ll tell you right from the start
If you’ve got Love in your Heart
You got everything I need to see
You’re Beautiful To Me

Time, don’t waste your time
Trying to hide
What you got inside
‘Cause I want you
I want all of you
My heart is yours
If yours is mine

My marquee is a Welcome sign
My arms and doors are open wide

So Come one Come all
Come Big and Small
Let all the colours of the rainbow fly
Bring the fellas and the girls
And the dreamers of the world
And you can let your own light shine
I’ll tell you right from the start
If you’ve got Love in your Heart
You got everything I need to see
You’re Beautiful To Me

I think about the lost and lonely
I think of all nights
We wouldn’t walk alone if only
We could love like stars can shine

Come one Come all
Come Big and Small
Let all the colours of the rainbow fly
Bring the fellas and the girls
And the dreamers of the world
And you can let your own light shine
I’ll tell you right from the start
If you’ve got Love in your Heart
You got everything I need to see
You’re Beautiful To Me

Spread the Love.

Cheers,
Alan



Tuesday 8 January 2019

Another Interesting Case Of Copyright In The Music Industry...A reflection (74/365)

After all this time writing my blog I still find piracy, bootlegging and copyright within the music industry and within fandoms really interesting. These reasons were the reasons I started to write my blog and continue to do so in particular in the artists and musicians I write about down time. 

This time I found the new copyright case involving music superstar Ed Sheeran really interesting.

I was interested in this article published on the Australian Broadcasting Commission website titled 'Jury to decide whether Ed Sheeran copied Marvin Gaye's Let's Get It On for his 2014 song Thinking Out Loud' published on 4 January, 2019 at abc.net.au.

The article states there are three key points surrounding the new case against Ed Sheeran... "Judge reportedly said the songs have similar percussion and basslines...Sheeran's defence apparently claims his "sombre" song is very different to Gaye's "sexual anthem"... The singer has previously been accused of copying elements of other artists' songs..."


The article provides a background to the new claim, Sheeran's defence team's response, the history of copyright claims made by other artists and musicians against Sheeran and Marvin Gaye. Interestingly I noticed when referencing the article that the journalist did not put their name on it.

The journalist provides a shared link to music videos from YouTube so the reader can compare versions and make up their own mind. 

The first song 'Thinking Out Loud' is an official Ed Sheeran music video which has had over 2 billion views. All the proceeds from the music video would go to Ed Sheeran.

The Marvin Gaye version of the song 'Lets Get It On' is a sound track placed on an image of Marvin Gaye. This upload is pirated and has had over 65 million views. According to Google it pays $1000 per million views on YouTube so this song alone would have made the account holder approximately $65 000 if monetised. So that is quite a substantial amount of money the Marvin Gaye estate may have missed out on.

For the Marvin Gaye estate which seems very interested in artists and musicians plagiarising music I am wondering why they haven't stepped in to stop people collecting off pirated versions of their songs on YouTube. This version of 'Lets Get It On' was loaded up in 2010. 

Perhaps a journalist writing about plagiarism in music should not have shared pirated videos as it kind of undermines their knowledge on the subject. 

The article also states the new case against Sheeran is based on that he has previously been accused of plagiarising from other music. Should people not be presumed innocent until proven guilty under the law? 

The article provides a great link to other interesting cases involving plagiarism in the music industry.  

I have copied the article for those people interested and provided a link to the original article. No copyright infringement intended.  


'Jury to decide whether Ed Sheeran copied Marvin Gaye's Let's Get It On for his 2014 song Thinking Out Loud'...

https://www.abc.net.au/news/2019-01-04/ed-sheeran-margin-gaye-plagiarism-case-going-to-jury/10685922

A US judge has rejected English singer and songwriter Ed Sheeran's request to dismiss a lawsuit accusing him of plagiarising Marvin Gaye's 1973 classic Let's Get It On for his 2014 smash Thinking Out Loud.

In a decision made public on Thursday, US District Judge Louis Stanton said a jury should decide whether Sheeran, Sony/ATV Music Publishing and Atlantic Records should be liable to the estate and heirs of the late producer Ed Townsend, who co-wrote Let's Get It On with Gaye.

Sheeran reportedly denies ripping off sections of the Marvin Gaye song...

According to the BBC, Judge Stanton said the songs had similar percussion and basslines and listeners might consider the song's "aesthetic appeal" to be similar.

The judge also claimed there was disagreement over whether the rhythm and harmony of Let's Get It On was too common to merit copyright protection, the BBC said.

Sheeran's defence team said Thinking Out Loud differs from Gaye's classic tune because it has "sombre, melancholic tones, addressing long-lasting romantic love", the BBC said, while Let's Get It On is a "sexual anthem".

Sheeran's been accused of plagiarism before...

It's not the first time Sheeran has been accused of copying the work of other artists.

In January 2018, two Australian musicians filed a copyright infringement complaint against Sheeran, country music singers Tim McGraw and Faith Hill, among others, accusing them of plagiarising one of their songs.

Sean Carey, a former guitarist in the band Thirsty Merc, and keyboardist and songwriter Beau Golden said The Rest Of Our Life, a song by McGraw and Hill and co-written by Sheeran, is substantially similar to their track When I Found You.

Australian singer Jasmine Rae released When I Found You under her name in 2015, and it was the most played song on Australian country radio, according to the complaint filed in the US District Court in New York.

In 2017, according to the Guardian, Sheeran settled out of court over claims his song Photograph was a "note-for-note" copy of a song called Amazing by UK X Factor winner Matt Cardle.

Also in 2017, the BBC said, the team behind TLC's song No Scrubs were given writing credits on Sheeran's smash hit Shape Of You after fans and critics found similarities between elements of the two songs.

Previous payouts over Marvin Gaye songs...

It's also not the first time there have been accusations of modern-day musicians copying the music of Motown legend Marvin Gaye.

In 2015 a US jury ordered pop singers Robin Thicke and Pharrell Williams to pay more than $US7 million ($9.97 million) in damages to the family of Marvin Gaye.

The jury ruled Thicke and Williams copied Gaye's 1977 hit Got To Give It Up in writing their 2013 song Blurred Lines.

At the time, Gaye's daughter Nona said: "I'm so filled with emotion it's hard to get the words out."

She called the verdict a "miracle" and said the family took legal action because "[Marvin] can't do it for himself".


Monday 7 January 2019

Bob Hallett And A New Project... (73/365)

Recently Bob Hallett announced on his official Facebook page that he was involved in producing a new musicial from Newfoundland called 'No Change in the Weather'.

Bob describes the production.... “No Change in the Weather’ is a new musical. Written and designed around existing songs from the Newfoundland songbook, it combines original and traditional material, dancing and humour into a seamless show about a family struggling to adapt to the new Newfoundland. It is set in one night, at a traditional wake..."

How exciting ! I can't wait for more news about this production and of course to see it somewhere in the world, hopefully in St. John's in the summer of 2019 !

I have enclosed a screen shot of the announcement from Bob's official Facebook page. No copyright infringement intended.









Saturday 5 January 2019

Great Big Sea, Ordinary Day And A Commercial...(72/365)

The Great Big Sea song 'Ordinary Day' was recorded for the Play album and released in 1997. The song was written by Alan Doyle and Sean McCann about a young busker Janie who was out busking one day and was robbed. Instead of giving up, she got right back out there and kept going. 

The song is about no matter what happens to us, to just get right back out there and keep going. And as the song goes 'And I say way-hey-hey, it's just an ordinary day... And it's all your state of mind... At the end of the day, you've just got to say...It's all right...'

Over the years Great Big Sea have played 'Ordinary Day' thousands of times for fans as the song was one of their most popular songs. In 2017 CBC music conducted an online music survey to find out what were most popular Canadian songs of all time and 'Ordinary Day' made the list. 

In 2017 Canadian musician Brett Kissel recorded 'Ordinary Day' for Warner Music Canada who celebrated their 50 th anniversary by making a compilation album called 'Covered In Gold 5.0'.   

Today, 'Ordinary Day' remains a fan favourite and is still on the setlist of an Alan Doyle concert. So the fans were surprised recently when the was being used by the CPP Investment Board in a commercial. 

Fans were wondering if the company had permission to use the song. Alan Doyle informed fans via his official Twitter account they did indeed have permission. 

As one fan put it in the discussion it it was hoped Great Big Sea were paid well by this company using their song. 

I have circulated a copy of the official video of Great Big Sea's 'Ordinary Day' on my Google + page. 

I have also circulated a copy of an interview of Brett Kissel talking about recording Great Big Sea's 'Ordinary Day'. 



Friday 4 January 2019

Australian Television And Content Delivery...Some respect at last (71/365)

Under construction...


I don't often write about Scott Grimes and his creative work (other than the Indoor Garden Party concerts) because it is covered so well, elsewhere by fans more knowledgeable and committed than me.

Recently, I have been really impressed with the Seth McFarlane produced television show 'The Orville' starring himself and friend Scott Grimes. 


I am really impressed with how this television show has been delivered to Australian audiences via the Fox Network.

I have written many posts on this blog about how frustrated I am with free-air-television in Australia. As a consequence I don't watch free-to-air television except for some telecasts of the Australian rugby union test matches and the occasional episode of one of my favourite television shows on television on demand.

So I am thrilled to see a television company like Fox in America has recognised Australia as a potential market for it's products on free-to-air and pay television and giving us a fair go.

In the past American television companies like CBS who produce some of my favourite television shows like Supernatural, The Big Bang Theory and Hawaii Five-0 and screen them on free-to-air television stations in Australia have trouble with consistently screening their content.

American television companies like CBS may initially fast track new seasons and episodes soon after the television show starts in the US to get Australian viewers sucked in, but withheld the remainder of the season during the Australian summer months for an imaginary ratings period they have no chance in winning as the true fans have gained access to them via piracy and other means.

It is difficult to know who makes the decision to withhold content from Australians, whether it is the television company or the Australian free-to-air television stations. But someone treats Australian viewers and fans with absolute contempt.

Free-to-air television stations like Channel Nine and Ten stop screening content don't even bother to inform viewers and fans when it will be returning. Adding to the frustration is that those viewers and fans who want to pay for television content in Australia can't until it has been shown on free-to-air or pay television.

So it is with great pleasure that I read where viewers and fans of 'The Orville' are being treated a little differently.

Free-to-air television station SBS who have the rights to 'The Orville' had the common courtesy to inform their viewers and fans where they can catch this television show on their channel on their webpage. It was just a couple of paragraphs but it made such a big impression on me. The station is clearly grateful for their viewers and fans and are clearly listening. 


The SBS On Demand website states...

"One of the biggest (and best) things we discovered this year at SBS VICELAND was that viewers LOVE The Orville. We knew people would like it, but we didn't expect so many emails and messages from people thanking SBS VICELAND for screening it on the TV channel and streaming it at SBS On Demand.

We were paying attention to your enthusiasm and are very happy to report that we are fast-tracking season 2 of The Orville to SBS VICELAND and SBS On Demand within just hours of its broadcast in the US.

But here is where you need to pay attention, because we're here to tell you when and how you can watch the new season:

When The Orville comes back, we are getting two brand new episodes in the first week before the show settles back into new episodes once a week. That's pretty awesome, right?..."


They then went on to inform Australian viewers and fans when they can catch Season Two...

"....Mark these dates in your calendar, Orville fans:

31 December... Settle in on the Monday afternoon after 1:01pm with the season 2 return streaming anytime at SBS On Demand. It's New Years Eve, so if you're at a party that night, tell everyone how great the episode was and send them to watch it here with your friends at SBS.

04 January... The second episode will be streaming for you to watch anytime after 1:01pm at SBS On Demand. For those wanting to watch it on SBS VICELAND, episodes one and two of the second season will air back-to-back from 9pm on SBS VICELAND.

After that...You'll be starting your weekends with brand new The Orville. New episodes of the show debut weekly at SBS ON DEMAND at 1:01pm every Friday afternoon, with the new episode also airing on SBS VICELAND Friday nights at 9pm..."

These fast-tracked(!) Australian Premiere episodes of The Orville blast off from Monday 31 December 2018 on SBS On Demand and 04 January on SBS VICELAND. You can also stream season one of The Orville right now at SBS On Demand..."


I have circulated the official trailers for both seasons of The Orville on my Google + page. 

When content is available in Australia that I want to watch like The Orville through legal means or on demand I will watch it. I prefer to buy the DVD as the digital content uses too much data but I do buy digitally especially to see if I like the series.

In the past Fox Network has delivered popular content like the latest season of The X-Files fast tracked from the US and made immediately for purchase for viewers and fans after the screening. 

Fans like me buy content without a second thought, often two or three copies of the same content either digitally or on DVD. So it is a win/win for company and viewer and fan.   


Thursday 3 January 2019

Alan Doyle Reflects On 2018...(70/365)

Alan Doyle@alanthomasdoyle 2018 had a few amazing career highlights. Sold Out Massey Hall amongst them. Touring with the best team in the biz is a blessing every day. I am the luckiest fella on earth. See u next year. 31 December 2018

On the 31 December 2018 Alan Doyle reflected on some of the highlights of 2018 for him including a sold out concert at Massey Hall in Toronto and thanking his team. He also included a couple of favourite photographs. 


I have copied the post below. The post is from the official Twitter account of AlanThomasDoyle. No copyright infringement intended.





While researching about this concert I found some nice collections of photographs of Alan Doyle and The Beautiful, Beautiful Band at Massey Hall in 2018.  


The first collection of photographs of Alan Doyle are titled 'Alan Doyle @ Massey Hall Toronto' and published at amusicblogyea.com on the 12 March 2018. The photographs are by Angelo Marchini. I have included a screen shot of two photographs. No copyright infringement intended.

I have included a link here for those fans interested http://amusicblogyea.com/2018/03/12/photos-alan-doyle-massey-hall-toronto




(Photo credit Angelo Marchini)





(Photo credit Angelo Marchini)


The second collection is from the Massey Hall archives by Jag Gundu and shared via Facebook. I have included two screen shots here. No copyright infringement intended.




(photo credit Jag Gundu)




(photo credit Jag Gundu)



Wednesday 2 January 2019

My Favourite Alan Doyle And The Beautiful, Beautiful Band Moments 2018...(69/365)

The winners of my favourite fan and professional photographs, music videos and reviews as voted entirely by me...the fan.


Many thanks to Alan Doyle and all the professionals and fans who generously shared their words, stories, photographs and videos online. There was lot of promotional material produced by both Alan himself, the professionals and the fans from the creators, concerts, book and CD tour and it was very difficult to choose my favourites.


The winner of my favourite Alanthomasdoyle official social media account...

For the past couple of years my favourite official Alanthomasdoyle social media account has been Instagram. Everything Alan has posted on there including his stories and work at home and away has been gold. I really enjoy his posts from Newfoundland and of Spencer his dog. 


I also enjoy his Twitter account as well in particular his question and answers to fans.

The winner of my favourite Alan Doyle and The Beautiful Beautiful Band photograph is...

The winner of my favourite band photograph was the post at the end of last year where Alan thanked his fellow band members and crew for being with him on the 100 plus dates they toured together. 






The winner of my favourite Alan Doyle fan photograph...


My favourite fan photographs were from Brian Campbell taken at a concert at the National Arts Centre in Ottawa in February 2018.

I love the inclusiveness of this collection of black and white and colour photographs of all the equally talented Beautiful, Beautiful Band members including not only Alan Doyle but Cory Tetford, Kendel Carson, Todd Lumley, Kris MacFarlane and Shehab Illyas. I have shared a couple of screen shots of photographs below.

If you enjoy music photography as much as I do check out D. Brian Campbell's official Instagram account. No copyright infringement intended.




(photo credit Brian Campbell)




(photo credit Brian Campbell)

The winner of my favourite Alanthomasdoyle social media story...

The winner of my favourite social media story was Alan's Adventure Canada's cruise around Newfoundland visiting various places. Where possible Alan shared his adventures via his official social media accounts on Twitter and Instagram.


The winner of my favourite professional videos are...

It was a difficult choice to make about professional music videos...

I love the 'Beautiful To Me' music video. All the images from the video are truly beautiful and it is certainly one of the best music videos I have ever seen. I love the inclusiveness, diversity and bravery of those individuals who participated in the video to raise awareness of their cause.

I also love the 'Come Out With Me' official music video which shows Alan Doyle and his Beautiful, Beautiful Band (Cory Tetford, Kendel Carson, Todd Lumley, Shehab Illyas and Kris MacFarlane) performing the song 'Come Out With Me' live on stage to a sold out crowd in a beautifully restored theatre somewhere in Canada. I love the inclusiveness of all the members of the band and the crowd.

Shehab Illyas was busy making beautiful music videos during his down time for Cory Tetford, The Ennis Sisters and The Fortunate Ones. They also deserve an honourable mention.

The winner of my favourite Alan Doyle events...


The winner of my favourite Alan Doyle event was very difficult to choose as there so many...

Touring With Whitney Rose...

One of the reasons I love writing my blog is I never know whose creative work I will experience next. I loved being introduced to the brilliance of Whitney Rose. 



(photo credit Alan Doyle)

Cruise with Adventure Canada...

As fans of Alan Doyle who follow him on social media know that he recently went on an Adventure Canada trip circumnavigating Newfoundland. Alan was one of several Newfoundlanders sharing their expertise of Newfoundland history, culture, music, geography and the natural environment with passengers.

The 10 day trip included visits to St. John's, outport communities, L'Anse aux Meadow a World Heritage listed Norse settlement, Red Bay Basque Whaling Station, Gros Morne National Park and Woody Point, Miawupkek (Conne River) First Nations settlement, and Saint-Pierre the last French colony in North America. And a what a trip that would have been visiting places that many tourists to Newfoundland would never get to visit while learning about Newfoundland from the resident experts. 

The trip has become one of my dreams for next year.

Great Newfoundland Songbook...


Each week on Saturday afternoon Paul Kinsman (a Newfoundland musician, photographer and radio host) talks about Newfoundland and Labrador songs and the times they reflect and how they are connected to their culture. 


During the episodes available Paul has been joined by other notable Newfoundland musicians and singers including Bob Hallett, Barry Canning, Chris LeDrew, Alan Doyle, Darrell Power, Barry Canning, Denis Parker, Sandy Morris and Colleen Power. This series on Newfoundland music is totally awesome.

I have included a photograph of the official poster for the series and a photograph of Alan Doyle in the studio with Paul Kinsman. The photographs are from the official Twitter account of Paul Kinsman. As always no copyright infringement intended.





(photo credit Paul Kinsman)



The Great Big Reunion...


A photograph of the original founding members of Great Big Sea (Alan Doyle, Bob Hallett and Sean McCann) having a meeting in St. John's, Newfoundland shared via their official social media accounts.

The photograph brought a lot of pleasure to many of fans who weighed in on the discussion on the various official and fan social media sites. Most fans were pleased to see the boys sitting down together and trying to sort out a few of their differences.


Splash N' Boots album...

Splash 'N Boots have been sharing the making of the album over the past couple of months on social media. They worked with Alan Doyle to co-write and produce the album. I have written a previous post about Splash 'N Boots working together with Alan Doyle on their new album called 'Alan Doyle, The Producer...Splash 'N Boots' published on the 18 October, 2018. 

Alan  features on a song called 'I'll Be The Captain'. I absolutely love this song. I love the language the group uses to sing this song. The language is how some Newfoundlanders really speak and write. There is also a song which features Alan's son Henry called 'Jack Was Every Inch A Sailor'. There is a cute little video of Henry performing with Splash 'N Boots circulated on their official Instagram account. 



The winner of my favourite professional review was...

My favourite professional review was 'Alan Doyle and Friend Aboard the Ocean Endeavour' by Elizabeth Szekers published on the 18 October, 2018 at rootsmusic.ca about her trip with Adventure Canada around Newfoundland with Alan Doyle and friends.





The winner of my favourite Alan Doyle professional photographs are...


My favourite collection of professional photographs are from Budweiser concert in Hamilton, Ontario on 17 August, 2018. I have enclosed a link here to the site. 

http://hamiltonsrockandcountrymagazine.com/entertainment/michael-ray-alan-doyle-dean-brody-budweiser-stage-august-17th-2018

While there are some absolutely stunning photographs of Beautiful, Beautiful Band member Kendel Carson, I really love these of Alan with trusty side kick his guitar Stickman Tak. No copyright infringement intended.  




(photo credit H.R.C. Magazine)



(photo credit H.R.C. Magazine)


My favourite fan moment of 2018...


There were many wonderful fan moments shared by fans throughout social media who travelled far and wide to see Alan Doyle and The Beautiful, Beautiful Band in concert. However, my favourite is this amazing little video of Alan Doyle and a fan singing the Great Big Sea song 'River Driver' after the concert in Sarnia, Ontario.

The fan's Instagram's account provides no information about how their meeting came about. Although brief, Alan and the fan are totally awesome singing 'River Driver' together. What an amazing moment for the fan !





Fan of the Year 2018...


Fan of year goes to long term Great Big Sea and Alan Doyle fan Kim Hix who died tragically on a recent trip to Newfoundland. Rest in peace Kim.




Tuesday 1 January 2019

Plagiarism, Copying And Pirating In 2018... A personal reflection (68/365)

"...Our advice to people troubled by low-level piracy is to focus on what you do best and get on with it. Every second spent worrying about piracy is time that could’ve been spent creating something new. Sure, some people will come along and take a few views here and there but is it really worth kicking up a huge fuss over when it only distracts from the job?..." Andy at Torrent Freak 26 December, 2018.

I don't understand why people pirate and plagiarise other people's creative work especially articles for a website. If you are motivated and passionate about what you write about then it really isn't that hard to write for your own or someone else's site or blog. There is plenty of advice out there at what every stage you are at.

At university in Australia students like me are taught very early on about plagiarism and referencing assignments as well as quality online sites to use as sources and resources for academic work.

Students submit their assignments through a program called Safe Search. The program highlights directly copied text and plagiarism that are not referenced properly not only from the Internet but every student who has submitted an assignment in any course in the university. This is available to the lecturer marking the assignment and the student.

In Australian universities there are heavy penalties for plagiarism and copying assignments from other students including expulsion. So students learn early on about respect for others work and proper referencing.

I certainly know what it is like when people steal your ideas and try and make them their own, and get some kind of credit for them from those they adore. Because people can and get away with it doesn't make it right.

When I write a post I always try and give full credit to the source where possible. I try to provide only a couple of examples of the work that I find and link them back to the original source so people can go to the direct site so I don't breach copyright laws. I also on many occasions edit full articles as that may also breach copyright.

There are so many creative and generous people who take the time to develop their skills and share creative work. It is wrong to steal it or share it without acknowledgement. If people don't like me using their work for what ever reason and it is blocked I delete it.



So it is with interest that I read this article from the online copyright site Torrent Freak about people plagiarising, copying and stealing their work without acknowledgement.

Torrent Freak provide some good advice to those of us concerned with piracy.

"...Our advice to people troubled by low-level piracy is to focus on what you do best and get on with it. Every second spent worrying about piracy is time that could’ve been spent creating something new. Sure, some people will come along and take a few views here and there but is it really worth kicking up a huge fuss over when it only distracts from the job?..."

I have copied the article below as it is something to be taken into consideration when engaging with others creative work.




'Even Torrent Freak Gets Pirated On A Daily Basis'... by Andy at torrenfreak.com published on 26 December, 2018.

We all know that movies, TV shows, music, and games get pirated almost as soon as they're released, but copying isn't only restricted to those content areas. Over the past couple of years, TorrentFreak articles have been regularly 'pirated' by a large number of sites, many in the 'Kodi news' niche, despite everything we offer being entirely free and open to all. This gives us food for thought - but certainly not to distraction.

Since 2005, TorrentFreak has been a fairly popular source for file-sharing, piracy, and copyright-related news. It’s a project that takes up most of our lives and many hundreds of hours every month.

We love what we do and we’re grateful to every single one of our readers who help us by taking the time to read our articles and send us tips. Thanks folks, it really means a lot and we couldn’t do it without you.

As is obvious, everything we write is available on our website, for free, with no intrusive advertising, under a consumer-friendly Creative Commons license. Or, if one prefers, everything can be obtained via our regular mailings.

Over the past couple of years, however, TorrentFreak’s news has been made available via a couple of dozen other websites. Many operating in the relatively new ‘Kodi news’ niche, these sites take our articles the second they’re published and present them on their own platforms for the benefit of their own readers.

Under our CC license, anyone can do this for non-commercial purposes providing they link back to the source, but the vast majority are doing so for business reasons. Oddly enough, most of these are happy to link and politely quote the source.

In some cases, however, sites remove all references to TF from our articles while deliberately passing them off as written by their own “authors”. One site even goes as far as to run our pieces through word-replacement filters that chaotically obfuscate both the news and the source. That, admittedly, is really, really irritating.

This type of ‘piracy’ (we’ll use the term for convenience) presents an interesting thought exercise for us. Effectively, TorrentFreak wouldn’t exist if it wasn’t for piracy. Indeed, if the piracy issue was solved tomorrow, we’d have nothing left to report.

So, with that being said, it’s ‘fun’ to have a little taste of what the entertainment industries have been dealing with for the past couple of decades. But, how we deal with this, is far removed from many of the popular strategies.

More than anyone and particularly in view our daily reporting, we know that there is plenty that can be done when people take your work and copy it online. Perhaps more importantly, however, just because you can do something, it doesn’t mean you should.

Lawsuits solve nothing other than making lawyers rich. Trolling and settlement strategies are generally disgusting while acting tough on the Internet isn’t attractive for branding or image. And takedown notices – well – that game of whac-a-mole isn’t something we’d even consider as a solution.

What we do know, however, is that most people like to do the right thing. When people politely ask if they can use our content, the answer is always ‘yes’. We also know that when people take our pieces and place them on their own sites, we reach a wider audience – whether or not the operator of that site has linked to the source as we humbly request. Getting the news out there by any means has always been our number one priority.

But, more importantly, we would never like to be viewed in the same light as those who threaten and posture in order to get what they want. Piracy is here to stay and there is little to nothing anyone can do about it. Whether its movies, music or news articles, someone, somewhere will clone it and offer it to the public.

So, despite this article briefly focusing on what it’s like to be on the ‘other side’ of the piracy world for once, we can let everyone into a small secret: this article took longer to write than the whole time we’ve spent ‘worrying’ about the ‘piracy’ of our articles.

Sure, there are some objectionable sites republishing our stories that we would prefer our content not to be associated with, period, but life is too short for these kinds of distractions.

Our advice to people troubled by low-level piracy is to focus on what you do best and get on with it. Every second spent worrying about piracy is time that could’ve been spent creating something new. Sure, some people will come along and take a few views here and there but is it really worth kicking up a huge fuss over when it only distracts from the job?

Hardly.

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